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Autor:
Førsund, Olai
Publikováno v:
Førsund, Olai. Harmonisk symmetri – Satsteknikkar i Olivier Messiaen sine modi med avgrensa transposisjonar. Master thesis, University of Oslo, 2016
Externí odkaz:
http://hdl.handle.net/10852/51086
https://www.duo.uio.no/bitstream/handle/10852/51086/1/Harmonisk-symmetri----Olai-F-rsund.pdf
https://www.duo.uio.no/bitstream/handle/10852/51086/1/Harmonisk-symmetri----Olai-F-rsund.pdf
Autor:
Soylar, Çağdaş
Publikováno v:
Volume: 6, Issue: 11 168-185
Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi
Afyon Kocatepe Üniversitesi Akademik Müzik Araştırmaları Dergisi
The purpose of this study is to demonstrate Olivier Messiaen’s musical language as applied to his piano music. It also provides a picture of how he combined his unique compositional technique with his strong Catholic faith and presented them in his
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::07dd70d5421452c4e5ed726887c209d8
https://dergipark.org.tr/tr/pub/amader/issue/52410/630869
https://dergipark.org.tr/tr/pub/amader/issue/52410/630869
Autor:
Van der Walt, Salome
Olivier Messiaen is regarded as one of the most significant composers of the 20th century. His compositions are performed regularly and his teachings have influenced many well-known composers like Boulez and Stockhausen. This study focussed on his us
Externí odkaz:
http://hdl.handle.net/2263/25190
http://upetd.up.ac.za/thesis/available/etd-06022008-075450/
http://upetd.up.ac.za/thesis/available/etd-06022008-075450/
Autor:
Papadopoulos, Athanase
Publikováno v:
Twentieth-Century Music and Mathematics, R. Illiano (ed.), Brepols, Turnhout, p. 3-22
Twentieth-Century Music and Mathematics, R. Illiano (ed.), Brepols, Turnhout, p. 3-22, 2019, 978-2-503-58570-3
Twentieth-Century Music and Mathematics, R. Illiano (ed.), Brepols, Turnhout, p. 3-22, 2019, 978-2-503-58570-3
We review some of Olivier Messiaen's use of mathematics in his composition and his theoretical writings. The final version of this paper appeared in the book Twentieth-Century Music and Mathematics, R. Illiano (ed.), Brepols, Turnhout, 2019.
Com
Com
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=arXiv_dedup_::ad5485c27397364804fd6f8dcaa4a5f0
https://hal.archives-ouvertes.fr/hal-02197156
https://hal.archives-ouvertes.fr/hal-02197156
Autor:
Vincent Benitez
Publikováno v:
Notes. 70:695-698
ANALYSIS AND STYLISTIC EVOLUTION Messiaen's Final Works. By Christopher Dingle. Farnham, Surrey, Eng.: Ashgate, 2013. [xix, 369 p. ISBN 9780754606338. £65.] Music examples, figures, tables, appendices, notes, bibliography, discography, index.In Mess
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dd9217aaea341c86d34591788939020d
https://doi.org/10.1353/not.2014.0063
https://doi.org/10.1353/not.2014.0063
Autor:
Franck Jedrzejewski
Publikováno v:
Computational Music Science ISBN: 9783319473369
In the mid-1970s, Alain Louvier worked out microtonal scales called modes of progressive transposition and used them in many musical works. These modes have similar properties to major modes and are related to diatonicism. Some of them were known by
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ea3c73763e91ff2e66c02be77cb6eeb7
https://doi.org/10.1007/978-3-319-47337-6_13
https://doi.org/10.1007/978-3-319-47337-6_13
Autor:
Sylvia Kahan
Publikováno v:
19th-Century Music. 29:097-120
The reification and theorization of the octatonic scale, arguably one of the principal organizational devices of twentieth-century music, have been long in coming. Rimsky-Korsakov was the first to describe the scale, in an 1867 letter, discussing its
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::885e6b1c7d1264918ded2725ac42f4f5
https://doi.org/10.1525/ncm.2005.29.2.097
https://doi.org/10.1525/ncm.2005.29.2.097