Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Mitchell Akiyama"'
Publikováno v:
Sonic Engagement ISBN: 9781003164227
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b3b2779354c1c061205e957d5f5a7934
https://doi.org/10.4324/9781003164227-27
https://doi.org/10.4324/9781003164227-27
Autor:
Mitchell Akiyama
Publikováno v:
Canadian Theatre Review. 184:42-46
Bodies constantly emit and receive sensorial stimulation. Having this feedback loop of sensation interrupted can feel profoundly disorienting, even smothering and threatening, as the author discovered when he first visited an anechoic chamber—a sou
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6caf89bb96bd3d967e2d1318af85a1c4
https://doi.org/10.3138/ctr.184.008
https://doi.org/10.3138/ctr.184.008
Autor:
Mitchell Akiyama
Publikováno v:
Sound, Media, Ecology ISBN: 9783030165680
Listening to a well-executed field recording, one can feel uncannily transported to another time and place nested in the here and now. Field recordings’ capacity to seemingly open a window onto elsewhere and else-when seems to grant them a power to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5ced3aeb195071d90c241aa9ca8835e7
https://doi.org/10.1007/978-3-030-16569-7_6
https://doi.org/10.1007/978-3-030-16569-7_6
Publikováno v:
eCAADe proceedings.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7f3e29495d7d39b0b1b0df4ec584a928
https://doi.org/10.52842/conf.ecaade.2018.1.571
https://doi.org/10.52842/conf.ecaade.2018.1.571
Autor:
Mitchell Akiyama
Publikováno v:
Leonardo Music Journal. 24:29-32
This article examines the history of sonification in sound art, focusing on the role that data play in influencing artistic creation and aesthetic experience. The author discusses sonified data artworks that go beyond the simple representation of inf
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5be2c6614c84d83ce5e212a99ddcd812
https://doi.org/10.1162/lmj_a_00192
https://doi.org/10.1162/lmj_a_00192
Autor:
Mitchell Akiyama
Publikováno v:
Canadian Journal of Communication. 35:455-471
The Mosquito is an ultrasonic device that uses sound to deter young people from loitering. The sound it emits is inaudible to most people over the age of 25 but is intolerable to those younger. By emitting this sound, the Mosquito stratifies space th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::786c35c0a2a42c30697fabd2a8058e8e
https://doi.org/10.22230/cjc.2010v35n3a2261
https://doi.org/10.22230/cjc.2010v35n3a2261
Autor:
Mitchell Akiyama
Publikováno v:
RACAR : Revue d'art canadienne. 42:80
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bd190f928b3ecabeac524d4325aa310d
https://doi.org/10.7202/1040842ar
https://doi.org/10.7202/1040842ar
Autor:
Mitchell Akiyama
Sous l’impulsion du Canadien R. Murray Schafer et du World Soundscape Project basé à Vancouver, l’éclosion de la composition de paysage sonore au début des années 1970 a clairement annoncé qu’un vent nouveau soufflait sur les différentes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5447c2e6c71adfb5b703aa493fca4540
https://id.erudit.org/iderudit/1066802ar
https://id.erudit.org/iderudit/1066802ar