Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Miriam Llamas Ubieto"'
Autor:
Miriam Llamas Ubieto
Publikováno v:
Recherches Germaniques, Vol 53, Pp 171-189 (2023)
This study addresses the configuration and functions of the picaresque figure in the Novel Wie es leuchtet (2004) by Thomas Brussig. This opus magnum depicts its social and choral heterogeneity, using one element to make the numerous pieces of this s
Externí odkaz:
https://doaj.org/article/92caba6e15a5411b956220af0e9a17b1
Autor:
Miriam Llamas Ubieto
Publikováno v:
Revista de Filología Alemana, Vol 22 (2014)
Externí odkaz:
https://doaj.org/article/f4309ad326eb4efba2fd764926b08bd6
Autor:
Miriam Llamas Ubieto
Publikováno v:
Revista de Filología Alemana, Vol 22 (2014)
Externí odkaz:
https://doaj.org/article/22e9c1255be54dd383d1408fbad19a71
Autor:
Miriam Llamas Ubieto
Publikováno v:
Revista de Filología Alemana, Vol 20 (2012)
Externí odkaz:
https://doaj.org/article/d12ce317586244ea91e11a25b2d18855
Autor:
Miriam LLAMAS UBIETO
Publikováno v:
Revista de Filología Alemana, Vol 18 (2010)
En el presente artículo se propone una revisión crítica del concepto de dialogismo de Mijaíl Bajtín, así como de las teorías de la intertextualidad, que muestra su productividad para el estudio teórico de las configuraciones estético literar
Externí odkaz:
https://doaj.org/article/aad039af068c46dcbb027c04726d92a5
Autor:
MIRIAM LLAMAS UBIETO
Publikováno v:
Journal of Global Diaspora. 3:125-138
The novel Vor der Zunahme der Zeichen (2016) by Senthuran Varatharajah is a conversation on Facebook of two characters, both of whom are heirs of the diaspora (from Sri Lanka and from Kosovo) in Germany. It experiments with various forms to break fre
Autor:
Miriam Llamas Ubieto
Publikováno v:
Zeitschrift für interkulturelle Germanistik. 10:105-114
This volume explores the development towards mass digitisation and datafication and its transforming influence on our way of organising our cultural knowledge and heritage. In this context, cultural recycling plays a crucial role, even if it is in it
Autor:
Miriam Llamas Ubieto
Publikováno v:
Seminar: A Journal of Germanic Studies. 52:39-59
Yoko Tawada’s novel Das nackte Auge (2004) has a number of features that fall somewhere between the modern and postmodern aesthetic in her expression of intercultural and neocolonial transition, which gives the work a prominent place in contemporar