Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Mirela Mercean-Țârc"'
Autor:
Mirela MERCEAN-ȚÂRC
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 66, Iss 1 (2021)
As syntactic typologies, monody and heterophony are detectable in modern and contemporary music as states and manifestations of primordial impulses of sound communication, detectable in the ancient folklore of all peoples. Their filtering through the
Externí odkaz:
https://doaj.org/article/d0414865f6624569bb6f98f330625abd
Autor:
Mirela MERCEAN-ȚÂRC
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 61, Iss 1 (2016)
An overview of Adrian Borza’s activity comprises interesting preoccupations as well as figures, as the composer knows and uses over 50 utility software and operating systems and programming languages and environments, which have generated the autho
Externí odkaz:
https://doaj.org/article/bba870f9354143fe8cc525987bfbee51
Autor:
Mirela, Mercean Țârc
Publikováno v:
Tehnologii informatice şi de comunicaţii în domeniul muzical / Information and Communication Technologies in the Musical Field. X(2):87-93
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=978351
Autor:
Mirela, Mercean Țârc
Publikováno v:
Tehnologii informatice şi de comunicaţii în domeniul muzical / Information and Communication Technologies in the Musical Field. X(1):85-94
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=939935
Autor:
Mirela Mercean-Țârc
Publikováno v:
Tehnologii informatice și de comunicație în domeniul muzical / Information and communication Technologies in Musical Field. 13:103-113
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f0b4b09d2faa6c42606bbbe71ae2249b
https://doi.org/10.47809/ictmf.2022.01.10
https://doi.org/10.47809/ictmf.2022.01.10
Autor:
Mirela Mercean-Țârc
Publikováno v:
Musicology Papers. 35:24-33
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::358f15e6aa073f65cb9ebcb2ec9e815c
https://doi.org/10.47809/mp.2020.35.02.02
https://doi.org/10.47809/mp.2020.35.02.02
Autor:
Mirela Mercean-Țârc
Publikováno v:
Musicology Papers. 36:21-46
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1f18e5f9aea7545546a2629a91507f75
https://doi.org/10.47809/mp.2021.36.01.02
https://doi.org/10.47809/mp.2021.36.01.02
Autor:
Mirela, Mercean Țârc
Publikováno v:
Tehnologii informatice şi de comunicaţii în domeniul muzical / Information and Communication Technologies in the Musical Field. VIII(1):69-85
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=596860
Autor:
Mirela, Mercean Țârc
Publikováno v:
Tehnologii informatice şi de comunicaţii în domeniul muzical / Information and Communication Technologies in the Musical Field. VI(2):69-76
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=597531
Autor:
Mirela Mercean-Țârc
Publikováno v:
Învăţământul artistic – dimensiuni culturale.
The term „school of composition” has been used mainly to define a group of composers whose directions in music creation meet two conditions: claiming from a founding- master and respecting the continuity of the traditions established by him, ofte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d33e57f92d7af4116e540ed1da372625
https://doi.org/10.55383/iadc2022.04
https://doi.org/10.55383/iadc2022.04