Zobrazeno 1 - 10
of 48
pro vyhledávání: '"Mireia, Aragay"'
World Political Theatre and Performance: Theories, Histories, Practices is the second collection of essays to emerge from the Political Performances Working Group at the International Federation for Theatre Research. Bringing together scholars and pr
Autor:
Mireia Aragay, Martin Middeke
Drawing primarily on Judith Butler's, Jacques Derrida's, Emmanuel Levinas's and Jean-Luc Nancy's reflections on precariousness/precarity, the Self and the Other, ethical responsibility/obligation, forgiveness, hos(ti)pitality and community, the essay
Autor:
Mireia Aragay
Books in Motion addresses the hybrid, interstitial field of film adaptation. The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture
Autor:
Mireia Aragay
Publikováno v:
International Journal of English Studies (IJES), Vol 2, Iss 2, Pp 83-94 (2002)
In the context of an insightful cornparison between Brian Friel and Tom Murphy in his recent The Politics of'lrish Drama (1999), Nicholas Grene links Friel's much higher profile to the different ways in which the two playwrights negotiate the rural t
Externí odkaz:
https://doaj.org/article/1ed07a686d8d44e58d6e03100092e427
Autor:
Mireia Aragay
Publikováno v:
Journal of Contemporary Drama in English. 7:340-345
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ab5b37b3e89a5e192c5ce7c09facade0
https://doi.org/10.1515/jcde-2019-0030
https://doi.org/10.1515/jcde-2019-0030
Publikováno v:
Quaderns de Filologia: Estudis Literaris, Vol 19 (2014)
La vivacidad del teatro europeo de nuestros días hunde sus raíces en una amplia serie de transformaciones acaecidas en el transcurso de largos decenios. El teatro decimonónico burgués, heredero de la institucionalización renacentista y de la cod
Externí odkaz:
https://doaj.org/article/530bfc5a35a14ba99427b0874e7b88dd
Publikováno v:
Affects in 21st-Century British Theatre ISBN: 9783030584856
From Aristotle and Bharata Muni through Antonin Artaud, Bertolt Brecht and Augusto Boal, to a range of twenty-first-century scholars, there seems to be a widespread agreement that feeling is an essential part of what matters in the theatre. The cultu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e985a678cf4efec8836a0f364ef275c4
https://doi.org/10.1007/978-3-030-58486-3_1
https://doi.org/10.1007/978-3-030-58486-3_1
Autor:
Mireia Aragay
Publikováno v:
Affects in 21st-Century British Theatre ISBN: 9783030584856
This chapter contributes to the incipient conversation on the role of affects/emotions in debbie tucker green’s dramaturgy by focusing on the intricate workings of empathy in hang (2015). Aragay approaches the play through a four-faced critical pri
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d5a8b2899f9d1b34d8ef6b26b9d28f4c
https://doi.org/10.1007/978-3-030-58486-3_2
https://doi.org/10.1007/978-3-030-58486-3_2
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of aff