Zobrazeno 1 - 10
of 44
pro vyhledávání: '"Miki Flockemann"'
Autor:
Elham HOSSEINI, Miki FLOCKEMANN
Publikováno v:
HyperCultura, Vol 12, Pp 1-13 (2024)
The major focus of the present paper is All Alone (2013), an Iranian film by Ehsan Abdipour which narrates the life of a boy from Boushehr, whose friendship with the son of a Russian engineer at a nuclear plant has to end as the result of the sanct
Externí odkaz:
https://doaj.org/article/0b7cbfb6a95247ef9382d59eead3c7fc
Autor:
Miki Flockemann
Publikováno v:
International Journal of Critical Diversity Studies, Vol 2, Iss 1, Pp 10-23 (2019)
My aim here is to use the notion of critical hope as a lens for exploring how a dramaturgy of Affect can create spaces for challenging the on-going marginalization resulting from the intersection of disability, race and access in the context of Sou
Externí odkaz:
https://doaj.org/article/3973ce40aaee4f18b25a78043c15fd52
Autor:
Miki Flockemann
Publikováno v:
Literator, Vol 38, Iss 1, Pp e1-e9 (2017)
The publication of Diaspora and Identity in South African Fiction (2016) by J.U. Jacobs is a timely intervention, in that it is the first comprehensive study of South African fiction to sustain the argument that South African writing is always alread
Externí odkaz:
https://doaj.org/article/622c132d9f4a48c9b2130535e5c69495
Autor:
Miki Flockemann
Publikováno v:
Language and Decoloniality in Higher Education. :67-84
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5130b50c5fef0419f025417f2619b0ec
https://doi.org/10.5040/9781350049109.ch-004
https://doi.org/10.5040/9781350049109.ch-004
Autor:
Miki Flockemann
Publikováno v:
The Cambridge Journal of Postcolonial Literary Inquiry. 7:286-296
The push to sustain online learning platforms that have been established in the wake of Covid-19 at South African universities raises a number of concerns. Apart from highlighting the stark and ongoing social inequities in terms of access, the need t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb64c61a158f9cda0203926f95a222a6
https://doi.org/10.1017/pli.2020.8
https://doi.org/10.1017/pli.2020.8
Autor:
Miki Flockemann
Publikováno v:
Multilingual Margins: A journal of multilingualism from the periphery. 6:87-88
This paper is a reflective retrospective that suggests a new image of multilingualism. Instead of a "cat's cradle", the author proposes viewing multilingualism as a prism through which to view languages as different but non hirarchical and equal in v
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::50ec8b9da03707285541398b60128ad3
https://doi.org/10.14426/mm.v6i1.124
https://doi.org/10.14426/mm.v6i1.124
Autor:
Miki Flockemann
Publikováno v:
South African Theatre Journal. 28:88-93
The launch of The Magnet Theatre 'Migration' Plays in 2012 coincided with the celebration of the 25th anniversary of the company, founded by Mark Fleishman and Jennie Reznek in 1987. Magnet Theatre has achieved substantial recognition both here and a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4e88a237d330011d794289ea82a2a43d
https://doi.org/10.1080/10137548.2015.1014173
https://doi.org/10.1080/10137548.2015.1014173
Autor:
Miki Flockemann, Rolf Solberg
Publikováno v:
The Methuen Drama Guide to Contemporary South African Theatre. :293-310
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::840573382f1cc7bd2c9c8afa6f3b0dcb
https://doi.org/10.5040/9781408176689.ch-017
https://doi.org/10.5040/9781408176689.ch-017
Autor:
Miki Flockemann
Publikováno v:
South African Theatre Journal. 27:78-81
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd402b7f56c4707dc102f1ba8342d3af
https://doi.org/10.1080/10137548.2014.876719
https://doi.org/10.1080/10137548.2014.876719
Autor:
Miki Flockemann
Publikováno v:
Critical Arts. 27:403-417
The concern about South African arts being – as Achille Mbembe claims – ‘stuck in repetition’ can be challenged by examining developments in the performance arts which deliberately employ repetition. In these cases repetition is played with n
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5c43cdca6ab04a10e336ca64dd55efb9
https://doi.org/10.1080/02560046.2013.828391
https://doi.org/10.1080/02560046.2013.828391