Zobrazeno 1 - 10
of 31
pro vyhledávání: '"Mignon Nixon"'
Autor:
Mignon Nixon
Publikováno v:
October. :3-23
In this conversation prompted by the publication of Julian Stallabrass's Killing for Show: Photography, War and the Media in Vietnam and Iraq (Rowman & Littlefield, 2021), Stallabrass and Mignon Nixon discuss the roles played by photography in two wa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::faa42b1f5b2cbaed6da8108d3e8bdf5f
https://doi.org/10.1162/octo_a_00430
https://doi.org/10.1162/octo_a_00430
Autor:
Mignon Nixon
Publikováno v:
Why Gender?
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e478d9282de94bad9b61f48951f1e6a3
https://doi.org/10.1017/9781108980548.018
https://doi.org/10.1017/9781108980548.018
Autor:
Mignon Nixon
Publikováno v:
October. 161:3-10
Mignon Nixon reflects on the Manchester Arena bombing, London Bridge and Borough Market attack, and Grenfell Tower fire in London, as well as the 2017 Venice Biennial, via J-B Pontalis's writings on the psychoanalytic notion of death-work. Nixon argu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::62b11354d809b1357c8fba64e092d924
https://doi.org/10.1162/octo_a_00300
https://doi.org/10.1162/octo_a_00300
Autor:
Mignon Nixon
Publikováno v:
October. 159:7-13
Wilfred Bion, a mid-twentieth-century pioneer of the psychoanalysis of groups, described a group as the repository of the mad parts of ourselves. The group helps us to tame our madness, but it may also exaggerate it, reviving infantile trends, and an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18b14aefe0c02d47af80224a26cc2363
https://doi.org/10.1162/octo_a_00278
https://doi.org/10.1162/octo_a_00278
Autor:
Mignon Nixon
Publikováno v:
Widok. Teorie i Praktyki Kultury Wizualnej.
Wilfred Bion, pionier psychoanalizy grup w połowie XX wieku, określił grupę jako repozytorium szalonych części nas samych. Grupa pomaga nam oswajać nasze szaleństwo, ale może też je wyolbrzymiać, ożywiając dziecięce trendy, a grupa kier
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::475360301862034c81dc47b572219be9
https://doi.org/10.36854/widok/2019.23.1880
https://doi.org/10.36854/widok/2019.23.1880
Autor:
Mignon Nixon
Publikováno v:
Psychoanalysis, Culture & Society. 20:131-140
Tracing the parallel development of Juliet Mitchell's Psychoanalysis and Feminism (1974), and Mary Kelly's epic conceptual art work, Post-Partum Document (1973–1979) to the History Group, a feminist reading group in London, I ask what these influen
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a470f4d98aacdf75c1350f60f729c0ab
https://doi.org/10.1057/pcs.2015.2
https://doi.org/10.1057/pcs.2015.2
Autor:
Mignon Nixon
Publikováno v:
Sculpture and Psychoanalysis
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::14ed3e871a4e468200834eba7d91e9eb
https://doi.org/10.4324/9781315088273-12
https://doi.org/10.4324/9781315088273-12
Autor:
Mignon Nixon
Publikováno v:
October. 147:20-37
Hitler deployed the first pilot-less flying bombs, the doodlebugs, as weapons of terror over London. “The drone of the planes,” Virginia Woolf related, is “like the sawing of a branch overhead. Round and round it goes, sawing and sawing.” It
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::36dffc5a2e099ea8f0690c7770333a81
https://doi.org/10.1162/octo_a_00164
https://doi.org/10.1162/octo_a_00164