Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Michele Pierson"'
Ken Jacobs has been making cinema for more than fifty years. Along with over thirty film and video works, he has created an array of shadow plays, sound pieces, installations, and magic lantern and film performances that have transformed how we look
Autor:
Michele Pierson
Publikováno v:
A Companion to Experimental Cinema. :325-348
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ce821d598aa5071634fbcc44b3250fee
https://doi.org/10.1002/9781119107934.ch15
https://doi.org/10.1002/9781119107934.ch15
Autor:
Michele Pierson
Publikováno v:
Discourse. 44:109-112
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0958fe7edb913be9e9fd84c98193b390
https://doi.org/10.1353/dis.2022.0008
https://doi.org/10.1353/dis.2022.0008
Autor:
Michele Pierson
Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic
Publikováno v:
Proceedings of the National Academy of Sciences of the United States of America. 116(25)
An understanding of the division of labor in different societies, and especially how it evolved in the human species, is fundamental to most analyses of social, political, and economic systems. The ability to reconstruct how labor was organized, howe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b0b6aca1a13ab88c63de00d0835099f1
https://pubmed.ncbi.nlm.nih.gov/31160450
https://pubmed.ncbi.nlm.nih.gov/31160450
Autor:
Michele Pierson
Publikováno v:
Pierson, M 2017, ' Where shadow play is cinema : The exhibition and critical reception of Ken Jacobs’ Shadow Plays in the 1960s and 1970s ', Film History, vol. 29, no. 3, pp. 25-51 . https://doi.org/10.2979/filmhistory.29.3.02
Ken Jacobs's first shadow play was made for the New Cinema Festival in 1965. For centuries, shadow plays have used light to back project moving shadows of puppets, objects, and/or actors onto a screen. In his reviews of expanded cinema performances a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9b0611bdbc524f379757ba9742511fe6
https://kclpure.kcl.ac.uk/ws/files/80810969/Where_Shadow_Play_is_Cinema_PIERSON_Accepted_13Feb2017_GREEN_AAM.pdf
https://kclpure.kcl.ac.uk/ws/files/80810969/Where_Shadow_Play_is_Cinema_PIERSON_Accepted_13Feb2017_GREEN_AAM.pdf
Autor:
Michele Pierson
Publikováno v:
Screen. 55:507-513
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b282128fbc969a04e73fb1dc41bfe584
https://doi.org/10.1093/screen/hju041
https://doi.org/10.1093/screen/hju041
Autor:
Michele Pierson
Publikováno v:
Cinema Journal. 49:1-19
This essay looks at how a number of avant-garde films that work with cinematic images of the past involve spectators in the imaginative creation of historical worlds. These films are re-enactments, not in the sense of offering re-creations of specifi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::af50c46b42c8740e1800618c3c648cdf
https://doi.org/10.1353/cj.0.0171
https://doi.org/10.1353/cj.0.0171
Autor:
Michele Pierson
Publikováno v:
The Moving Image. 5:68-94
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::10ed6fd8ccbc0a0ae9973bb4c55bedc9
https://doi.org/10.1353/mov.2005.0016
https://doi.org/10.1353/mov.2005.0016
Autor:
Michele Pierson
Publikováno v:
Pierson, M 2018, ' The Accessibility of the Avant-garde : Talk about American Experimental Cinema ', Discourse: Journal for Theoretical Studies in Media and Culture, vol. 40, no. 1, pp. 3-29 . https://doi.org/10.13110/discourse.40.1.0003
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0e42286a4b6017e692228fced270a833
https://doi.org/10.13110/discourse.40.1.0003
https://doi.org/10.13110/discourse.40.1.0003