Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Michal Grover-Friedlander"'
Autor:
Michal Grover-Friedlander
Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of f
Autor:
Michal Grover-Friedlander
Publikováno v:
Theatre Research International. 46:128-147
This article explores the relation between body and voice in the performance of a contemporary opera, Ficarra and Whittington's The Empress's Feet, based on a Chinese tale relating the origin of the practice of foot binding. The tale relates the anci
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::95b6ae2b6ed7e78e71762888d67319ad
https://doi.org/10.1017/s0307883321000067
https://doi.org/10.1017/s0307883321000067
Autor:
Michal Grover Friedlander
Publikováno v:
Journal of Interdisciplinary Voice Studies. 5:29-42
‘Whale wonder’ explores the allure of the humpback whale’s voice and our responses to it in a few seminal works involving music ‐ among them, Walt Disney’sThe Whale Who Wanted to Sing at the Met(1946), Pete Seeger’s‘The Song of the Worl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b0f2c4147a3bff5d35a3a3b336d924f1
https://doi.org/10.1386/jivs_00014_1
https://doi.org/10.1386/jivs_00014_1
Autor:
Michal Grover-Friedlander
Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera's decisive attribute—voice—as the foundation of its staged performance. The book thinks of stagi
Publikováno v:
Qui Parle. 21:203-234
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ec179ffed1f4f5a0dee7f6566e2ef997
https://doi.org/10.5250/quiparle.21.1.0203
https://doi.org/10.5250/quiparle.21.1.0203
Autor:
Michal Grover Friedlander
Publikováno v:
The Oxford Handbook of Opera ISBN: 0195335538
Opera’s aesthetic foundation is to be sought in the singing voice that is unique and unlike any other. In the writings of Cavell and Abbate, for instance, we find discussions of the voice’s mode of signification and its ways of constructing meani
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::405815c0ddb76b225f4557233d16f73b
https://doi.org/10.1093/oxfordhb/9780195335538.013.014
https://doi.org/10.1093/oxfordhb/9780195335538.013.014