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pro vyhledávání: '"Michael Talbot"'
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 19, Iss 1 (2023)
Henry Holcombe (1690–1756) was trained as a chorister at Chester Cathedral. In 1705 he moved to London, where he sang at the Drury Lane theatre. He later pursued a lucrative career as a private music teacher. Only in later life did he achieve his f
Externí odkaz:
https://doaj.org/article/7982ab4ad2c34d729db4e7eddbc42b6e
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 16, Iss 1, Pp 57-72 (2020)
Ever since Johann Georg Pisendel copied, and took back to Dresden in 1717, the solo sonata in B flat for violin (or perhaps oboe) attributed by him to Antonio Vivaldi, the authorship of this work has been uncontested. Designated RV 34 in the standard
Externí odkaz:
https://doaj.org/article/82b54555f3d6415f85f7332975aa7bca
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 17, Iss 2 (2021)
Henry Burgess, Junior, published in 1743 the earliest known set of organ concertos by an English composer. These show strongly the influence of George Frideric Handel, whose organ concertos published as Op. 4 in 1738 invented the genre, but also re
Externí odkaz:
https://doaj.org/article/78812aaae741442fb7b6e322708a51d4
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 14, Iss 1, Pp 39-72 (2018)
Christian Michael Wolff, an organist from Szczecin, is a composer already known for his songs, accompanied sonatas, chorale preludes for organ and a motet, but his orchestral music, comprising three concertos and a sinfonia preserved in manuscripts i
Externí odkaz:
https://doaj.org/article/2d0aea3853b347aeb4b1bcb2f7689540
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 11, Iss 1-2, Pp 125-146 (2015)
Francesco Barsanti, an Italian immigrant musician in Britain, worked as a copyist to supplement his income from orchestral playing and teaching. Whereas his instrumental music was published, his vocal music survives almost entirely in manuscript, bei
Externí odkaz:
https://doaj.org/article/e99f7e2d46514f0da98f74044ce4816e
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 10, Iss 1, Pp 121-139 (2015)
The Veronese cellist and composer Giacob (Jacob) Basevi Cervetto (c.1690–1783), was the first musician of Jewish birth to achieve success in Britain after the Resettlement of the seventeenth century. The subscription lists for his first two publish
Externí odkaz:
https://doaj.org/article/2af2517fbe224f659962fa0538650103
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 7, Iss 1, Pp 51-68 (2015)
The Italian composer and instrumentalist Fortunato Chelleri paid three visits to London between 1725 and 1728. Although he failed to have any of his operas performed there, he distinguished himself as a harpsichordist and cellist and left a permanent
Externí odkaz:
https://doaj.org/article/6e90e3af7e18479881f617842ad88a10
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 5, Iss 1, Pp 33-41 (2015)
Over the last 350 years or so the horizontal spacing of notes and rests has moved from a situation where the principle of equidistance between symbols (the most economical of space) is dominant to one in which the precise vertical alignment of musica
Externí odkaz:
https://doaj.org/article/87a901ad109f418f8c679ca21809f7a3
Autor:
Michael Talbot
Publikováno v:
De Musica Disserenda, Vol 2, Iss 2, Pp 99-105 (2015)
The variability of character of the dance movements in Italian sonatas of the late Baroque is conventionally ascribed to their “stylization” or “idealization”, but the coexistence of very similar movements both with and without dance titles w
Externí odkaz:
https://doaj.org/article/6557a733a4244e5eae53dd0cfe59ceb0
Autor:
Michael Talbot
Publikováno v:
Eighteenth Century Music. 19:151-172
In his own time Diogenio Bigaglia (1678–1745) was viewed as the equal of Venice's three great amateur musicians active during the first half of the eighteenth century (Tomaso Albinoni, Alessandro Marcello and Benedetto Marcello), but he is largely
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::88508a26433852bd244c7aff1708a49f
https://doi.org/10.1017/s1478570622000045
https://doi.org/10.1017/s1478570622000045