Zobrazeno 1 - 10
of 90
pro vyhledávání: '"Michael T. Martin"'
Autor:
Michael T. Martin, David C. Wall
Charles Burnett's 1977 film, Killer of Sheep is one of the towering classics of African American cinema. As a deliberate counterpoint to popular blaxploitation films of the period, it combines harsh images of the banality of everyday oppression with
Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an America
Autor:
David C. Wall, Michael T. Martin
Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him an
Autor:
Michael T. Martin, Charles Burnett
Publikováno v:
From Street to Screen
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b4943e9e0a0b92df8fe30af87e500910
https://doi.org/10.2307/j.ctv1b742fr.8
https://doi.org/10.2307/j.ctv1b742fr.8
Autor:
Michael T. Martin, David C. Wall
Publikováno v:
From Street to Screen
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dee2137e4b4f46868a99c7b2bee05c9a
https://doi.org/10.2307/j.ctv1b742fr.4
https://doi.org/10.2307/j.ctv1b742fr.4
Autor:
Michael T. Martin
Publikováno v:
From Street to Screen
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3407015636f6d7571ce0782d6cb4aa8
https://doi.org/10.2307/j.ctv1b742fr.6
https://doi.org/10.2307/j.ctv1b742fr.6
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.Volume Two of this landmark series on African cinema is devot
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws t