Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Michael Guarneri"'
Autor:
Michael Guarneri, Lidia Santarelli
Publikováno v:
Cinergie, Iss 23, Pp 37-59 (2023)
Published in February 1953 in Guido Aristarco’s magazine Cinema Nuovo, Renzo Renzi’s film proposal L’armata s’agapò broke the long-standing Italian media silence about the fascist aggression and occupation of Greece. More than the film propo
Externí odkaz:
https://doaj.org/article/ed3e7bf498824888a3fcbe0b18df37e5
Autor:
Francesco Di Chiara, Gabriele Rigola, Samuel Antichi, Luca Barra, Michael Guarneri, Andreas Ehrenreich, Paola Valentini, Claudio Bisoni, Giulia Muggeo, Alberto Pezzotta, Federico Giordano
Publikováno v:
Schermi, Vol 5, Iss 9 (2021)
Special issue on Italian popular cinema and sexuality.
Externí odkaz:
https://doaj.org/article/ad024c00020e4994823b0d4261650068
Autor:
Michael Guarneri
Publikováno v:
Schermi, Vol 5, Iss 9 (2021)
The article deals with a form of film censorship enacted from the late 1910s to the mid- 1970s by the Italian state: the so-called “preventive censorship”, i. e. the pre-shooting check of the screenplays that Italian producers wanted to turn into
Externí odkaz:
https://doaj.org/article/1611b23bd7654cda962c749226d5694a
Autor:
Michael Guarneri
Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975
Autor:
Michael Guarneri, Stella Scabelli
Putting into dialogue scholarly studies on Italian Fascism with a wide range of newly identified film and media history resources, the authors reconstruct and compare the career paths of Paola Ojetti (1911-1978) and Maria Basaglia (1908-2000) in the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::daf70d0561443360dd63430c5420f75e
https://hdl.handle.net/11585/930333
https://hdl.handle.net/11585/930333
Autor:
Michael Guarneri
Publikováno v:
Sine ni Lav Diaz ISBN: 9781789384253
The first book-length study of the Filipino auteur Lav Diaz, this edited volume offers a nuanced overview of the filmmaker, his corpus, career and traditions from various perspectives for film enthusiasts, researchers and general readers alike.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::83dea64034f5b0b0a0b068c05a51c001
https://doi.org/10.2307/j.ctv36xvxtc.10
https://doi.org/10.2307/j.ctv36xvxtc.10
Autor:
Michael Guarneri
The book takes as its subject a corpus of thirty-three vampire movies made, distributed and exhibited during the peak years of film production in Italy, and certified to be of Italian nationality by state institutions such as the Italian Show Busines
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::058ffcc224f8e8ccafc9519fb8490974
https://doi.org/10.3366/edinburgh/9781474458115.001.0001
https://doi.org/10.3366/edinburgh/9781474458115.001.0001
Autor:
Michael Guarneri
Publikováno v:
Vampires in Italian Cinema, 1956-1975
Concerned with the political and socio-economic implications of Italian vampire cinema, the chapter identifies Italian vampires with enemies within (a specific group of people in the nation-state’s social body) and enemies without (scheming foreign
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ae4b99fc6f623852733ea65a7064113b
https://doi.org/10.3366/edinburgh/9781474458115.003.0007
https://doi.org/10.3366/edinburgh/9781474458115.003.0007
Autor:
Michael Guarneri
The aim of the introductory chapter is threefold. Firstly, the chapter points out the monograph’s originality by contextualising the book in relation to ongoing scholarly debates about vampire fiction and Italian film history. Secondly, the chapter
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::79f5b21e24dc22c3ef045a9a807ea6dc
https://doi.org/10.3366/edinburgh/9781474458115.003.0001
https://doi.org/10.3366/edinburgh/9781474458115.003.0001
Autor:
Michael Guarneri
Publikováno v:
Vampires in Italian Cinema, 1956-1975
The chapter details the success of the Hammer Dracula (Terence Fisher, 1958) in late-1950s and early-1960s Italy, and explains why, where, by whom and with which commercial results a series of vampire films were made by Italian companies from 1959 to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2add107810d15000a93cdb89a42031dc
https://doi.org/10.3366/edinburgh/9781474458115.003.0003
https://doi.org/10.3366/edinburgh/9781474458115.003.0003