Zobrazeno 1 - 10
of 73
pro vyhledávání: '"Michael Cowan"'
Autor:
Michael Cowan
Publikováno v:
NECSUS, Vol 7, Iss 1, Pp 17-44 (2018)
This article examines a little-known example of early interactive cinema: cinematic shooting galleries, which appeared in multiple variations in Europe and the US around 1910. All but forgotten today, such devices – which allowed spectators to fire
Externí odkaz:
https://doaj.org/article/e96af84cfb40430db59b5d9cb35aa32e
Autor:
Michael Cowan, Viva Paci
Publikováno v:
Cinéma & Cie, Vol 8, Iss 10 (2008)
Externí odkaz:
https://doaj.org/article/145e80e03a284a6288b772f58586a72c
Theater and Cinema in the Age of 'Nervousness': Der Andere by Paul Lindau (1894) and Max mack (1913)
Autor:
Michael Cowan
Publikováno v:
Cinéma & Cie, Vol 4, Iss 5 (2004)
Externí odkaz:
https://doaj.org/article/ca3616b043164d6aa192012986487c83
Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the ve
Autor:
Michael Cowan, Kai Marcel Sicks
Nach 1918 stützen sich zahlreiche Versuche, einen Begriff von der »Moderne« zu entwickeln, auf die Zuweisung neuer Sinnpotenziale an den Körper. In der Lebensreformbewegung wird der Körper zum Inbegriff von Natürlichkeit, der Wettkampfsport ric
Autor:
Michael Cowan
A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experim
Autor:
Richard McQuellon, Michael Cowan
Every day, thousands of people receive a diagnosis of serious, life-threatening illness, and their families and friends suddenly become caregivers. Despite the best of intentions it is not always easy to communicate well under these circumstances, or
Autor:
Michael Cowan
This study traces the evolution of early film societies in Germany and Austria, from the emergence of mass movie theaters in the 1910s to the turbulent years of the late Weimar Republic. Examining a diverse array of groups, it approaches film societi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::cb2f14b368d272785aa1d5922a02a305
https://doi.org/10.2307/jj.362381
https://doi.org/10.2307/jj.362381
Autor:
Michael Cowan
Publikováno v:
Film Societies in Germany and Austria 1910-1933 ISBN: 9789048555727
This chapter examines the emergence of the familiar cinephilic film clubs in the mid-1920s, focusing in particular on the Viennese Kinogemeinde (Film Community, founded in 1926 by Friedrich Porges) and its attendant magazine Mein Film. Drawing on res
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8e8c63efcea54c8ec26aa9754601e3b9
https://doi.org/10.5117/9789463725477_ch03
https://doi.org/10.5117/9789463725477_ch03
Autor:
Michael Cowan
Publikováno v:
Film Societies in Germany and Austria 1910-1933 ISBN: 9789048555727
This chapter examines the rise of the first “cinematographic study societies” in the 1910s and shows how the concerns of amateur science (experiential learning in an era of increasingly specialized and abstract knowledge) were crucial to their in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1aa63792a5003240448549d73e2b800f
https://doi.org/10.5117/9789463725477_ch01
https://doi.org/10.5117/9789463725477_ch01