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pro vyhledávání: '"Michael Burden"'
Autor:
Michael Burden
Publikováno v:
XVII-XVIII, Vol 71, Pp 232-248 (2014)
It might seem a singularly pointless exercise to embark on a consideration of opera and the notion of luxury. Opera is, in common parlance, a “luxury” item, and there is no question that the connection between opera and luxury was made in the eig
Externí odkaz:
https://doaj.org/article/581ede4e27a146419136611118a34498
Autor:
Michael Burden
The diary of Anton Reiff Jr. (c. 1830–1916) is one of only a handful of primary sources to offer a firsthand account of antebellum riverboat travel in the American South. The Pyne and Harrison Opera Troupe, a company run by English sisters Susan an
Autor:
Michael Burden
Publikováno v:
Revue LISA, Vol 9, Pp 78-100
This article returns to the well-known notion of sentimental culture, and specifically, to sentimental opera derived from the English novel. The notion that goodness must triumph, that a poor but honest girl should ‘make good’, and that such good
Externí odkaz:
https://doaj.org/article/cc3032f3fa5d4d1ab90ecef21dab1dae
Autor:
Michael Burden
Publikováno v:
Cambridge Opera Journal. 31:26-62
When London's new Pantheon Opera opened in 1791, the artist Henry Tresham, not long returned from Italy, was paid to paint the ceiling and proscenium of the new auditorium and to provide a drop curtain. The curtain provided a focus for the new instit
Autor:
Michael Burden
The thrust of these five volumes is contained in their title, London Opera Observ'd. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying'or ‘ob
Autor:
Michael Burden
The thrust of these five volumes is contained in their title, London Opera Observ'd. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying'or ‘ob
Autor:
Michael Burden
The thrust of these five volumes is contained in their title, London Opera Observ'd. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying'or ‘ob