Zobrazeno 1 - 10
of 32
pro vyhledávání: '"Meyer Schapiro"'
Autor:
Butterfield, Andrew1
Publikováno v:
New Republic. 3/25/2010, Vol. 241 Issue 4, p31-36. 6p. 1 Black and White Photograph.
Autor:
César Saldaña Puerto
Publikováno v:
Espacio, Tiempo y Forma. Serie VII, Historia del Arte, Iss 10, Pp 27-54 (2022)
Según Arnold Hauser, el propósito de la historia es comprender el presente. Su controvertida Historia social de la literatura y el arte (1951) culmina «bajo el signo del cine». Este interés por el cine se remonta a su experiencia como distribuid
Externí odkaz:
https://doaj.org/article/fa952ecd7a2a42c6a6a92223316444c0
Autor:
C. Oliver O’Donnell
Publikováno v:
Journal of Art Historiography, Vol 27, Pp 27-OD1 (2022)
In this letter to the editor, I counter Ian Verstegen’s suggestion in his recent review of my book that Meyer Schapiro’s critiques of the grand theories of the 20th century were anti-theoretical. Rather than sceptical refutations of art-historica
Externí odkaz:
https://doaj.org/article/47c2b40d6e1f44ff80fc4e815126e98a
Autor:
Karl Johns
Publikováno v:
Journal of Art Historiography, Vol 27, Pp 27-KJ2 (2022)
While I (Pacht) was working on the evolution of Austrian Gothic panel painting, I realized that the whole material could be sorted into multiple genealogies, each of which corresponded to a particular (regional) mode of production, and that within th
Externí odkaz:
https://doaj.org/article/3fd7a09612024c5e9da54019dcbea427
Autor:
Amanda Wasielewski
Publikováno v:
Journal of Art Historiography, Iss 26, Pp 26-AW1 (2022)
In the 1930s Meyer Schapiro introduced the modern painter Fernand Léger to a tenth-century Beatus manuscript (M.644) in the collection of the Morgan Library. This encounter inspired formal changes in Léger’s work during the 1940s, as evidenced by
Externí odkaz:
https://doaj.org/article/f4e725a658fc4a8ca70300c0e8f05cfe
Autor:
Ian Verstegen
Publikováno v:
Journal of Art Historiography, Iss 26, Pp 26-IV1 (2022)
In this first biography of Meyer Schapiro, C. Oliver O’Donnell presents an account of Schapiro as theorist, to connect him more thoroughly to intellectual trends of the twentieth century. O’Donnell makes his case through a series of well-research
Externí odkaz:
https://doaj.org/article/860b0d091b474757b3f75ad2c51d2752
Autor:
Carola Berenguer
Publikováno v:
Armiliar, Iss 6 (2022)
Este trabajo pretende ahondar sobre el término estilo y los conceptos adyacentes al mismo, a partir de la lectura de Conceptos fundamentales de la Historia del Arte [1915] (1952), de Heinrich Wölfflin, y Estilo [1953] (1962), de Meyer Schapiro. Amb
Externí odkaz:
https://doaj.org/article/acb7ccafa78f4ea4b43bf2c8b9900fe3
Akademický článek
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Autor:
C. Oliver O’Donnell
Publikováno v:
Tate Papers, Iss 26 (2016)
This article analyses a talk given by the American art historian Meyer Schapiro in 1956 that was broadcast on BBC radio as a review of an exhibition at Tate Gallery titled Modern Art in the United States. It reveals that Schapiro’s broadcast was fu
Externí odkaz:
https://doaj.org/article/d1054e5b54054606bd914aed5abb62c7
Autor:
Saldaña Puerto, César
Según Arnold Hauser, el propósito de la historia es comprender el presente. Su controvertida Historia social de la literatura y el arte (1951) culmina «bajo el signo del cine». Este interés por el cine se remonta a su experiencia como distribuid
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3484::353be93c892c896f275edea7c40a9550
https://hdl.handle.net/2117/356254
https://hdl.handle.net/2117/356254
