Vindicación de la historia y la cultura democráticas en las biografías del cine español (2000-2010)

Autor: José Luis Sánchez Noriega

Publikováno v: Cuadernos de Historia Contemporánea; Vol. 34 (2012): La División Azul, una mirada crítica; 251-275
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Cuadernos de Historia Contemporánea, Vol 34, Iss 0, Pp 251-275 (2012)

Within the social and political context of the so called “Historic Memory”, which implies a vindication of antifrancoist resistance and investigation of murders during the Civil War, Spanish cinema turns to a series of historical films in order t

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::7f8252c67f802b016caa0e6bb8a92e4a
https://revistas.ucm.es/index.php/CHCO/article/view/40070

Wenceslao Fernández Flórez and the cinema. The defeated’s conscience

Autor: Paz Otero, Héctor

Publikováno v: Área Abierta; No 23 (2009); 1-14
Área Abierta; Núm. 23 (2009); 1-14
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Área Abierta; No. 23 (2009); 1-14

Wenceslao Fernández Flórez continues to be the most adapted Spanish author in film history. The most representative corpus of Fernández Flórez’s literary work focuses on the 1920s period, during Primo de Rivera dictatorship, although it is duri

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::a922bc730afdb985cd8ce4a3820600fa
https://revistas.ucm.es/index.php/ARAB/article/view/ARAB0909230001E