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pro vyhledávání: '"Melvin P. Unger"'
Autor:
Melvin P. Unger
A Library Journal Starred Review (March 2024) praises the book as a'remarkable resource that will please both musical professionals and amateurs, along with teachers and their students, and conductors and singers.”Throughout the ages, people have w
Autor:
Melvin P. Unger
Publikováno v:
BACH: Journal of the Riemenschneider Bach Institute. 48:115-125
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c598bf21566887faee24ec99f2f9c097
https://doi.org/10.1353/bach.2017.0006
https://doi.org/10.1353/bach.2017.0006
Autor:
Melvin P. Unger
Publikováno v:
Computers and the Humanities. 38:271-297
Bach's cantatas are particularly rich in text imagery, and they typically employ chromatic melodies to accentuate the more piquant literary images, especially in recitatives. Heretofore theories about the intentionality of Bach's compositional choice
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f1d0227dbba8d1ea1e5b54d433a86a9b
https://doi.org/10.1007/s10579-004-0754-8
https://doi.org/10.1007/s10579-004-0754-8
Autor:
Melvin P. Unger
The human voice an incredibly beautiful and expressive instrument, and when multiple voices are unified in tone and purpose a powerful statement is realized. No wonder people have always wanted to sing in a communal context-a desire apparently stemmi
Autor:
Ulrich Heinen, Renate Steiger, Johann Anselm Steiger, Ralf Bogner, Elisabeth Wåghall Nivre, Helen Watanabe-O'Kelly, Melvin P. Unger
Publikováno v:
The Sixteenth Century Journal. 39:847
Review of: Passion, Affekt und Leidenschaft in der Fruhen Neuzeit. : Red. Johann Anselm Steiger, Ralf Georg Bogner, Ulrich Heinen, Renate Steiger, Melvin Unger, Helen Watanabe-O’Kelley. Wiesbaden: Harrassowitz Verlag, 2005.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::499fda9288f7681991738350c629bee3
https://doi.org/10.2307/20479066
https://doi.org/10.2307/20479066
Publikováno v:
The Musical Times. 144:64
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::519f54f5244846d0bd4c5863c27705f5
https://doi.org/10.2307/3650684
https://doi.org/10.2307/3650684
Autor:
Peter Wollny, Melvin P. Unger
Publikováno v:
Notes. 49:982
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3f22edbcb4ff0e564da5558bfefab13b
https://doi.org/10.2307/898938
https://doi.org/10.2307/898938
Autor:
Marielle Popin, Melvin P. Unger
Publikováno v:
Revue de musicologie. 78:168
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6f01657543622a0918462809c8a79a47
https://doi.org/10.2307/947250
https://doi.org/10.2307/947250
Autor:
Melvin P. Unger
The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran'sermon music'that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also s