Zobrazeno 1 - 10
of 59
pro vyhledávání: '"Melanie Wald-Fuhrmann"'
Autor:
Wolfgang Tschacher, Steven Greenwood, Christian Weining, Melanie Wald-Fuhrmann, Chandrasekhar Ramakrishnan, Christoph Seibert, Martin Tröndle
Publikováno v:
Scientific Reports, Vol 14, Iss 1, Pp 1-11 (2024)
Abstract A series of eleven public concerts (staging chamber music by Ludwig van Beethoven, Brett Dean, Johannes Brahms) was organized with the goal to analyze physiological synchronies within the audiences and associations of synchrony with psycholo
Externí odkaz:
https://doaj.org/article/11681a8350654aeba4f97b5d0abfb218
Publikováno v:
Frontiers in Psychology, Vol 15 (2024)
Nowadays there are multiple ways to perceive music, from attending concerts (live) to listening to recorded music through headphones (medial). In between there are many mixed modes, such as playback performances. In empirical music research, this plu
Externí odkaz:
https://doaj.org/article/fbe3f893ecb14163b0548ade69354c36
Autor:
Wolfgang Tschacher, Steven Greenwood, Sekhar Ramakrishnan, Martin Tröndle, Melanie Wald-Fuhrmann, Christoph Seibert, Christian Weining, Deborah Meier
Publikováno v:
Scientific Reports, Vol 13, Iss 1, Pp 1-13 (2023)
Abstract A study of 132 audience members of three classical public concerts (all three staged the same chamber music pieces by Ludwig van Beethoven, Brett Dean, and Johannes Brahms) had the goal of analyzing the physiological and motor responses of a
Externí odkaz:
https://doaj.org/article/22947de171a8455e851f349b63c59c8a
Autor:
Anne Siebrasse, Melanie Wald-Fuhrmann
Publikováno v:
Frontiers in Psychology, Vol 14 (2023)
A representative German sample (N = 2,086) was surveyed on their musical taste with a questionnaire that asked about their liking not only of a number of genres, but also of relevant sub-genres and -styles. Using Latent Profile Analysis to analyze su
Externí odkaz:
https://doaj.org/article/70bd6164cbf247d3afd1582ed291d09b
Autor:
Anna Czepiel, Lauren K. Fink, Lea T. Fink, Melanie Wald-Fuhrmann, Martin Tröndle, Julia Merrill
Publikováno v:
Scientific Reports, Vol 11, Iss 1, Pp 1-16 (2021)
Abstract While there is an increasing shift in cognitive science to study perception of naturalistic stimuli, this study extends this goal to naturalistic contexts by assessing physiological synchrony across audience members in a concert setting. Car
Externí odkaz:
https://doaj.org/article/cc8cba2d693f4a129e24472a3f9b45e4
Autor:
Lauren K. Fink, Lindsay A. Warrenburg, Claire Howlin, William M. Randall, Niels Chr. Hansen, Melanie Wald-Fuhrmann
Publikováno v:
Humanities & Social Sciences Communications, Vol 8, Iss 1, Pp 1-11 (2021)
Abstract Beyond immediate health risks, the COVID-19 pandemic poses a variety of stressors, which may require expensive or unavailable strategies during a pandemic (e.g., therapy, socialising). Here, we asked whether musical engagement is an effectiv
Externí odkaz:
https://doaj.org/article/aaa5ed01d19149e7ac5505ec150dee9f
In touch: Cardiac and respiratory patterns synchronize during ensemble singing with physical contact
Autor:
Elke B. Lange, Diana Omigie, Carlos Trenado, Viktor Müller, Melanie Wald-Fuhrmann, Julia Merrill
Publikováno v:
Frontiers in Human Neuroscience, Vol 16 (2022)
Musical ensemble performances provide an ideal environment to gain knowledge about complex human interactions. Network structures of synchronization can reflect specific roles of individual performers on the one hand and a higher level of organizatio
Externí odkaz:
https://doaj.org/article/614a8d6279a840f99f1116f54d917713
Publikováno v:
Frontiers in Psychology, Vol 13 (2022)
Externí odkaz:
https://doaj.org/article/c3629f8de602478aaa208f8b4a177297
Publikováno v:
Frontiers in Psychology, Vol 12 (2021)
It seems trivial to identify sound sequences as music or speech, particularly when the sequences come from different sound sources, such as an orchestra and a human voice. Can we also easily distinguish these categories when the sequence comes from t
Externí odkaz:
https://doaj.org/article/d75909643b9440128c9df08327f30675
Autor:
Melanie Wald-Fuhrmann, Hauke Egermann, Anna Czepiel, Katherine O’Neill, Christian Weining, Deborah Meier, Wolfgang Tschacher, Folkert Uhde, Jutta Toelle, Martin Tröndle
Publikováno v:
Frontiers in Psychology, Vol 12 (2021)
Performing and listening to music occurs in specific situations, requiring specific media. Empirical research on music listening and appreciation, however, tends to overlook the effects these situations and media may have on the listening experience.
Externí odkaz:
https://doaj.org/article/86b187fe922048b6b67749b56765807a