Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Meghan Goodchild"'
Publikováno v:
Musicae Scientiae. 23:25-49
Research on emotional responses to music indicates that prominent changes in instrumentation and timbre elicit strong responses in listeners. However, there are few theories related to orchestration that would assist in interpreting these empirical f
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::140b496052a208eb6e6c0fed0d09ee73
https://doi.org/10.1177/1029864917704033
https://doi.org/10.1177/1029864917704033
Publikováno v:
Science & Technology Libraries. 36:153-169
Sustainability is a growing concept across many disciplines and has recently drawn attention from engineers. This study aims to assess the research materials used by faculty members in the Trottier...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ed8ec02659a84257c3445d31c07a4305
https://doi.org/10.1080/0194262x.2017.1298493
https://doi.org/10.1080/0194262x.2017.1298493
Publikováno v:
Music Perception. 34:1-20
This study focuses on the relationships between music analysis, performance, and tension perception. Part 1 examines harpsichordists’ analyses and performances of an unmeasured prelude—a semi-improvisatory genre open to interpretive freedom. Twel
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::30e84cabbdeb012a2c72f77674af9643
https://doi.org/10.1525/mp.2016.34.1.1
https://doi.org/10.1525/mp.2016.34.1.1
Autor:
Meghan Goodchild, Stephen McAdams, Bruno Gingras, Roger T. Dean, Geraint A. Wiggins, Marcus T. Pearce
Publikováno v:
Journal of Experimental Psychology: Human Perception and Performance. 42:594-609
This research explored the relations between the predictability of musical structure, expressive timing in performance, and listeners' perceived musical tension. Studies analyzing the influence of expressive timing on listeners' affective responses h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e962b18d707cd1abb04a3a9e8bb37ced
https://doi.org/10.1037/xhp0000141
https://doi.org/10.1037/xhp0000141
Autor:
Stephen McAdams, Meghan Goodchild
The study of timbre and orchestration in music research is underdeveloped, with few theories to explain instrumental combinations and orchestral shaping. This chapter will outline connections between the orchestration practices of the nineteenth and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::71957135f45f7eea5ece22493e21b87b
https://doi.org/10.1093/oxfordhb/9780190637224.013.10
https://doi.org/10.1093/oxfordhb/9780190637224.013.10
Autor:
Meghan Goodchild
Publikováno v:
CAML Review / Revue de l'ACBM. 45
This paper reports the results of a survey targeting current members of the Canadian Association of Music Libraries, Archives and Documentation Centres (CAML) that investigated the extent to which the current designs and structures of digital music l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::95f1302efe1decfe878acb52509aef37
https://doi.org/10.25071/1708-6701.40305
https://doi.org/10.25071/1708-6701.40305
Autor:
Stephen McAdams, Meghan Goodchild
Publikováno v:
The Routledge Companion to Music Cognition ISBN: 9781315194738
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ad3acd03fdb57ca5fb2d1381e7ef0520
https://doi.org/10.4324/9781315194738-11
https://doi.org/10.4324/9781315194738-11
Autor:
Roger Thornton Dean, Roni Granot, Meghan Goodchild, Elaine Chew, Jörg Fachner, Emily Przysinda, Annabel Cohen, Morten Kringelbach, Lucy Green, Nicola Dibben, Richard Ashley, Renee Timmers, Jonna Vuoskoski, Stephen McAdams, Anne Caclin, William Thompson, Peter Keller
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9c42b87b72042092963777edec83e708
https://doi.org/10.4324/9781315194738
https://doi.org/10.4324/9781315194738
Autor:
Meghan Goodchild
Publikováno v:
Proceedings of Meetings on Acoustics.
Recent empirical research indicates the impact of prominent changes in instrumentation on the listening experience: several studies suggest that timbral changes evoke music-induced emotions. However, orchestration remains an underdeveloped area of mu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8faadc68fede920648e97659e5ee0f96
https://doi.org/10.1121/1.4801079
https://doi.org/10.1121/1.4801079