Zobrazeno 1 - 10
of 230
pro vyhledávání: '"Medić Ivana"'
Autor:
Medić Ivana
Publikováno v:
Muzikologija, Vol 2022, Iss 33, Pp 87-102 (2022)
In this article I present a “manifesto” of the new discipline of applied musicology, which is closely related to the project Applied Musicology and Ethnomusicology in Serbia: Making a Difference in Contemporary Society (APPMES), supported by t
Externí odkaz:
https://doaj.org/article/63a9aad4c14347b58cc69ad426633361
Autor:
Bralović Miloš, Medić Ivana
Publikováno v:
Muzikologija, Vol 2021, Iss 31, Pp 59-94 (2021)
In this article we discuss the critical reception of the work of composer Stanojlo Rajičić (1910-2000), whose presence in the public musical life of Belgrade was noted already in the 1920s, when he was a student at the “Stanković” Music Sch
Externí odkaz:
https://doaj.org/article/17d16b96fc214095b1f7e4d9942b876e
Autor:
Medić Ivana, Janković-Beguš Jelena
Publikováno v:
Muzikologija, Vol 2018, Iss 24, Pp 79-93 (2018)
Pierre Boulez (1925-2016) devoted a great deal of time and consideration to the relationship between the composer’s invention and performance media, in particular those related to the application of the latest technological breakthroughs and new
Externí odkaz:
https://doaj.org/article/35a23f68f02b40a7ae71de0a410bdeb2
Autor:
Medić Ivana
Publikováno v:
Muzikologija, Vol 2017, Iss 22, Pp 39-57 (2017)
This article deals with the soundscape of Mikser, an independent festival of contemporary creativity, established in 2009 in Belgrade, the capital city of Serbia. I focus on the years 2012-2016, during which Mikser was taking place in Savamala, an
Externí odkaz:
https://doaj.org/article/2ade6c96ef034344ba76e0e044fa35e4
Autor:
Medić Ivana
Publikováno v:
Muzikologija, Vol 2014, Iss 16, Pp 105-127 (2014)
This article focuses on Serbian composer Jovana Backović and her band/project Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a transition from being regarded a part of the Serbian ethno music scene (which flourished d
Externí odkaz:
https://doaj.org/article/2275cb24e33d49c2a911a87270ee771e
Autor:
Medić Ivana
Publikováno v:
Muzikologija, Vol 2013, Iss 15, Pp 169-213 (2013)
The analysis of Alfred Schnittke’s Symphony No. 3 that I present in this paper is based on my study of Schnittke’s sketches from the Juilliard Manuscripts Collection. The importance of these manuscripts, which (to my knowledge) are discussed i
Externí odkaz:
https://doaj.org/article/dec898545f7447c3a64e706c72721835
Autor:
Medić Ivana
Publikováno v:
Muzikologija, Vol 2012, Iss 13, Pp 101-123 (2012)
Since the early 1980s Sofia Gubaidulina has received numerous accolades, and her music has been performed and recorded worldwide. However, the critics' reaction to her works has often been resoundly negative. In particular, Western critics have be
Externí odkaz:
https://doaj.org/article/e19ef511ed0d4faca81a23b75312affa
Autor:
Medić Ivana
Publikováno v:
Muzikologija, Vol 2007, Iss 7, Pp 279-294 (2007)
The term ′moderated modernism′ has been current for quite some time in Serbian music historiography, but there have been only a few attempts to define it. I shall try to define the term, introduce some of its key concepts and features and demonst
Externí odkaz:
https://doaj.org/article/0a3661bb427648b0ad104c03d2eb948d
Autor:
Medić, Ivana
Publikováno v:
Muzički talas / Musical Wave. 28(51):2-19
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1101411
Autor:
Medić, Ivana
Publikováno v:
Књижевна историја / Literary History. 52(172):143-164
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=945088