Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Mbongeni N. Mtshali"'
Autor:
Mbongeni N. Mtshali
Publikováno v:
TDR/The Drama Review. 64:28-37
In her transdisciplinary work, The Venus (2009), Nelisiwe Xaba reimagines Sara Baartman, the so-called Hottentot Venus, as a cosmopolitical black feminist African figure. Her work disrupts the meanings attached to the colonial spectacle of hypervisib
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::129146c5fbfbb6c4010c580a3164a065
https://doi.org/10.1162/dram_a_00915
https://doi.org/10.1162/dram_a_00915
Autor:
Veronica Baxter, Mbongeni N. Mtshali
Publikováno v:
Studies in Theatre and Performance. 40:70-82
In this article, the authors discuss the use of shit in a series of protests between 2011 and 2017 in the City of Cape Town, South Africa. They specifically interrogate with how these prote...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9855e8f73a2486af0d407ac580014a17
https://doi.org/10.1080/14682761.2019.1689755
https://doi.org/10.1080/14682761.2019.1689755
Autor:
Comaroff, John1 (AUTHOR) jcomaroff@fas.harvard.edu, Comaroff, Jean1 (AUTHOR)
Publikováno v:
Monist. Apr2023, Vol. 106 Issue 2, p165-180. 16p.
Autor:
Vittal Rao, Phalguni
Publikováno v:
Theatre, Dance & Performance Training; Mar2023, Vol. 14 Issue 1, p77-80, 4p
Autor:
SACKS, SUSANNA
Publikováno v:
PMLA: Publications of the Modern Language Association of America; Jan2023, Vol. 138 Issue 1, p68-82, 15p
Autor:
Bethlehem, Louise
Publikováno v:
Interventions: The International Journal of Postcolonial Studies; May2022, Vol. 24 Issue 3, p340-354, 15p
Autor:
Mtshali, Mbongeni N.
Publikováno v:
TDR: The Drama Review (MIT Press); Summer2020, Vol. 64 Issue 2, p28-37, 10p
Autor:
Baxter, Veronica, Mtshali, Mbongeni N.
Publikováno v:
Studies in Theatre & Performance; Mar2020, Vol. 40 Issue 1, p70-82, 13p
Autor:
Kemi Adeyemi
In Feels Right Kemi Adeyemi presents an ethnography of how black queer women in Chicago use dance to assert their physical and affective rights to the city. Adeyemi stages the book in queer dance parties in gentrifying neighborhoods, where good feeli
