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pro vyhledávání: '"Mauro Resmini"'
Autor:
Mauro Resmini
Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c4c565e801b6aa65a125edfd264fb9dd
Autor:
Mauro Resmini
An exploration of how film has made legible the Italian long'68 as a moment of crisis and transitionTraditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini s
Autor:
Mauro Resmini
Publikováno v:
Diacritics. 46:72-95
Autor:
Mauro Resmini
Publikováno v:
The Italianist. 36:243-265
The essay centres on the transmedia franchise of Romanzo criminale (novel, film and television series) to investigate its fundamental formal and political wager, which is twofold: to provide a mapping of recent Italian history and to imagine collecti
Autor:
Mauro Resmini
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 30:161-187
This article examines a recent tendency in contemporary art cinema—the New French Extremity (NFE)—and focuses specifically on a critique of the scholarly discourse that has flourished around it in recent years. The fundamental argument of this di
Autor:
Mauro Resmini
Publikováno v:
American Imago. 70:271-297
Publikováno v:
The Essay Film: Dialogue, Politics, Utopia
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d58ace9cbf87d4eb771bb4645ebaed82
https://doi.org/10.7312/papa17694-011
https://doi.org/10.7312/papa17694-011