Zobrazeno 1 - 10
of 98
pro vyhledávání: '"Mauro Carbone"'
Publikováno v:
Italian Journal of Medicine, Vol 10, Iss 1 (2022)
Prefazione - Il ruolo del palliativista in medicina interna Gino Gobber Il ruolo del medico internista nelle cure palliative Dario Manfellotto Le cure palliative nel malato non-oncologico Italo Penco La cura del malato fragile alla fine della vita
Externí odkaz:
https://doaj.org/article/6c8546717db443a2a84ab6e0e2208c2a
Autor:
Mauro Carbone
Publikováno v:
Between, Vol 8, Iss 16 (2018)
La nostra esperienza degli schermi elettronici e digitali può considerarsi come la pars pro toto di quel “dispositivo” (nell’ampio l’ampio significato socio-culturale attribuito a questo termine da Foucault) che ci sta avviluppando. Per ques
Externí odkaz:
https://doaj.org/article/4240c347e7f74e95a3da59184e205f07
Autor:
Mauro Carbone
Publikováno v:
Rivista di Estetica, Vol 55, Pp 21-34 (2014)
Though the image of vision still dominant is that of the window, my hypothesis is that the optical apparatus we implicitly refer to nowadays has become the screen, which shows many differences from the window. Therefore I believe that to understand h
Externí odkaz:
https://doaj.org/article/2984d68f6bf04d25adf17af21a94083b
Autor:
Mauro Carbone
Publikováno v:
Revista de Filosofia, Vol 25, Iss 37, Pp 343-360 (2013)
Em uma nota originalmente publicada em 1974 somente em italiano, Gilles Deleuze cunhou a expressão filosofia-cinema, aparentemente significando um novo estilo de fazer filosofia, a ser desenvolvido sob a luz das novidades do cinema. A fim de melhor
Externí odkaz:
https://doaj.org/article/1d11c07c07d34309b9a60df810aca4fb
Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature.
Autor:
Mauro Carbone
In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty's interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images. Philosophy-Screens broadens the work undertaken i
Autor:
Mauro Carbone
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of'flesh'was another way to signify what he also called'Visibility.'Considering vision as creative voyance, in the visionary sense of creating
Autor:
Mauro Carbone
French novelist Marcel Proust made famous'involuntary memory,'a peculiar kind of memory that works whether one is willing or not and that gives a transformed recollection of past experience. More than a century later, the Proustian notion of involunt
Autor:
Alex de Campos Moura, Mauro Carbone
Publikováno v:
Discurso. 51:155-166
Todo o percurso do pensamento de Merleau-Ponty é atravessado – em alguns casos de maneira mais evidente do que em outros – por aquilo que proponho definir como uma ideia da literatura e da filosofia como dispositivos de visão, para usar uma exp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::789b55a529a20977a578628bf6d9e080
https://doi.org/10.11606/issn.2318-8863.discurso.2021.188282
https://doi.org/10.11606/issn.2318-8863.discurso.2021.188282
Autor:
Mauro Carbone, Graziano Lingua
This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment. By combining a series of historical-genealogical reconstru