Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Maureen Sabine"'
Autor:
Maureen Sabine
Publikováno v:
American Imago. 63:423-443
Julia Kristeva's Powers of Horror (1980) offers a compelling framework for reading the seventeenth-century baroque poet, Richard Crashaw. Kristeva understands abjection as the horror resulting from the collapse of the psychic borders between what is
Autor:
Maureen Sabine
Publikováno v:
Theology & Sexuality. 13:63-78
Ingrid Bergman's life on and off screen shows the face of a modern Magdalene who transgressed the traditional divide between the saint and the whore. Even in early films like Casablanca (1942), where she projected the aura of a wartime Madonna as the
Autor:
Maureen Sabine
Ingrid Bergman's engaging screen performance as Sister Mary Benedict in The Bells of St. Mary's made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a mod
Autor:
Maureen Sabine
Publikováno v:
Veiled Desires: Intimate Portrayals of Nuns in Postwar Anglo-American Film
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::95e5d5ec187cda6c1da056a196e57ee0
https://doi.org/10.5422/fordham/9780823251650.003.0008
https://doi.org/10.5422/fordham/9780823251650.003.0008
Autor:
Maureen Sabine
Publikováno v:
Feminine Engendered Faith ISBN: 9781349390588
The poems of the last chapter introduced us to a singularly rewarding and cohesive phase in Crashaw’s life. Yet the repose which began in 1635, when he had been elected to a Fellowship at Peterhouse and felt authorised to cooperate in the high-flow
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::586ef33e6841ba9ff5430207703baadc
https://doi.org/10.1057/9780230372580_6
https://doi.org/10.1057/9780230372580_6
Autor:
Maureen Sabine
Publikováno v:
Feminine Engendered Faith ISBN: 9781349390588
‘A FUNERALL ELEGIE’ AND ‘THE FIRST ANNIVERSARIE’ Her name defin’d thee, gave thee forme and frame, And thou forgetst to celebrate thy name. Some moneths she hath beene dead (but being dead, Measures of time are all determined). (‘The Firs
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::322cb905d892fbac26c7d594b6949466
https://doi.org/10.1057/9780230372580_3
https://doi.org/10.1057/9780230372580_3