Zobrazeno 1 - 5
of 5
pro vyhledávání: '"Mattia Merlini"'
Autor:
Mattia Merlini
Publikováno v:
Sound Stage Screen, Vol 3, Iss 1 (2023)
This article analyzes the close relation between synthwave music and cinema, focusing on the role played by the former in paradigmatic films and TV series from the 1980s and the 2010s. To the two eras correspond two sets of semantic “associations,
Externí odkaz:
https://doaj.org/article/4e3514a5876346e1b0c24aceffecf3c0
Autor:
Mattia Merlini
Publikováno v:
Transposition, Vol 10 (2022)
Progressive rock was among the most successful genres of the 1970s, yet only recently has it partly regained the respect it once had. Indeed, for almost three decades, the prog genre has often been disparaged and condemned as a bombastic and excessiv
Externí odkaz:
https://doaj.org/article/468b5121b91c4625a38be0f3bf4c74ad
Publikováno v:
Körper(-lichkeit) in der Musik des 20. und 21. Jahrhunderts ISBN: 9783839458914
Musik und Klangkultur ISBN: 9783837658910
Musik und Klangkultur ISBN: 9783837658910
In this article, Mattia Merlini and Stefano Maria Nicoletti ask themselves if machines ever take our place in the creation of art, and particularly music. Despite the outstanding results of some well-known Ais, the authors argue that machines present
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5d2bea21c955cf09c796ae8cfefe735e
https://doi.org/10.1515/9783839458914-014
https://doi.org/10.1515/9783839458914-014
The Second Death of Concept Albums World-Building and Unification Strategies in the Age of Streaming
Autor:
Mattia Merlini
Publikováno v:
Interdisciplinary Studies in Musicology. :57-73
As the end of the album format is apparently drawing near due to the radical change in music consumption habits motivated by streaming services, artists and genres interested in creating musical works with meanings broader than those of single songs
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5596cf752af4cb4b777b99d8ac9b4f63
https://doi.org/10.14746/ism.2021.21.4
https://doi.org/10.14746/ism.2021.21.4
Autor:
Mattia Merlini
Publikováno v:
Interdisciplinary Studies in Musicology. :79-94
Genres are among the most discussed topics in popular music studies. The attempt to explain issues as complex and layered as how musical genres are born, how they work and what they ontologically are cannot avoid opening a box full of theoretical pro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::98913859cc176cd35c7a6bf63666e5c2
https://doi.org/10.14746/ism.2020.20.7
https://doi.org/10.14746/ism.2020.20.7