Zobrazeno 1 - 10
of 81
pro vyhledávání: '"Matthew Franks"'
Autor:
Barry Houlihan
Publikováno v:
Irish Historical Studies. 46:369-371
Autor:
Brad Kent
Publikováno v:
Modern Drama. 64:375-378
Matthew Franks’s Subscription Theater: Democracy and Drama in Britain and Ireland, 1880–1939 argues that subscription reflected and nurtured the democratic impulses of the late nineteenth and early twentieth centuries, both challenged and contrib
Autor:
Kristen Guest
Publikováno v:
Journal of British Studies. 61:1057-1058
Autor:
Matthew Franks, Till Dieminger, Kodai Kaneyasu, Davide Sgalaberna, Claudio Bruschini, Edoardo Charbon, Umut Kose, Botao Li, Paul Mos, Michael Wayne, Tim Weber, Jialin Wu
Publikováno v:
European Physical Journal C: Particles and Fields, Vol 84, Iss 2, Pp 1-13 (2024)
Abstract Scintillating fibre detectors combine sub-mm resolution particle tracking, precise measurements of the particle stopping power and sub-ns time resolution. Typically, fibres are read out with silicon photomultipliers (SiPM). Hence, if fibres
Externí odkaz:
https://doaj.org/article/7562e904fb894a2ea581432f40ca2a47
Autor:
Heinrich, Anselm
Publikováno v:
Theatre Notebook (Project Muse); January 2022, Vol. 76 Issue: 3 p174-175, 2p
Autor:
Franks, Matthew1
Publikováno v:
Brooklyn Journal of International Law. 2024, Vol. 49 Issue 2, p556-584. 30p.
Autor:
Kent, Brad
Publikováno v:
Modern Drama; Fall2021, Vol. 64 Issue 3, p375-378, 4p
Autor:
Matthew Franks
Publikováno v:
Modern Drama. 63:497-499
In Beyond Text, Jennifer Buckley reinvigorates the page–stage debate by arguing that theatre and performance artists consistently have been best placed to explode our expectations about what print is and can do, with case studies on Edward Gordon C
Autor:
Matthew Franks
Subscription Theater asks why turn-of-the-century British and Irish citizens spent so much time, money, and effort adding their names to subscription lists. Shining a spotlight on private play-producing clubs, public repertory theaters, amateur drama
Autor:
Matthew Franks
Publikováno v:
Theatre Journal. 74:118-119