Zobrazeno 1 - 10
of 33
pro vyhledávání: '"Matilda Mroz"'
Autor:
Matilda Mroz
Publikováno v:
Film-Philosophy, Vol 19, Iss 1 (2015)
Externí odkaz:
https://doaj.org/article/3fec6ef0bba5450b829008e01b0c0c0e
Autor:
Tiago de Luca, Matilda Mroz
Publikováno v:
Studies in World Cinema. 3:1-18
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ed3779d8235a4563944494a8027a83b6
https://doi.org/10.1163/26659891-03010001
https://doi.org/10.1163/26659891-03010001
Autor:
Matilda Mroz
Publikováno v:
Studies in World Cinema. 3:39-60
Recent environmental turns in research on the Holocaust and the moving images produced in its aftermath have suggested the potential of earth to bear “eco-witness” to atrocity and signal sites of mass burial through alterations to the topsoil and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7688bb6ffe01738018c3fcd3c7559908
https://doi.org/10.1163/26659891-bja10026
https://doi.org/10.1163/26659891-bja10026
Autor:
Matilda Mroz
Publikováno v:
Journal of European Studies. 50:305-307
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f525fd80dd80b5984ae9d3c80eb8b389
https://doi.org/10.1177/0047244120943970b
https://doi.org/10.1177/0047244120943970b
Autor:
Matilda Mroz
Publikováno v:
Framing the Holocaust in Polish Aftermath Cinema ISBN: 9781137461650
The close analysis of Pawel Łozinski’s documentary Birthplace in this chapter is informed by the work of Levinas and Deleuze, and their deployment in film-philosophy. The chapter draws on the Deleuzian notion of stratigraphic images to consider ho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6ef6fd2a950b6237270b39eb3120151c
https://doi.org/10.1057/978-1-137-46166-7_3
https://doi.org/10.1057/978-1-137-46166-7_3
Autor:
Matilda Mroz
Publikováno v:
Framing the Holocaust in Polish Aftermath Cinema ISBN: 9781137461650
Drawing on the work of Brinkema, this chapter argues that an aesthetic of grief is mobilised across Pawel Pawlikowski’s Ida through a network of images suggesting an absence at their core, including photographs and windows that frame the simultaneo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::55a6a57ccfdefaebde12ac57092c619b
https://doi.org/10.1057/978-1-137-46166-7_5
https://doi.org/10.1057/978-1-137-46166-7_5
Autor:
Matilda Mroz
Publikováno v:
Framing the Holocaust in Polish Aftermath Cinema ISBN: 9781137461650
This chapter explicates Silverman’s approach to anamorphosis to consider how Polish field and forest landscapes have been reframed, as the remains of Jewish victims and gravestones are visibilised. The chapter outlines how Derrida, Didi-Huberman, K
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eb1333fbdbaecc8737c39ff6aa12de12
https://doi.org/10.1057/978-1-137-46166-7_2
https://doi.org/10.1057/978-1-137-46166-7_2
Autor:
Matilda Mroz
Publikováno v:
Framing the Holocaust in Polish Aftermath Cinema ISBN: 9781137461650
This chapter, on Wladyslaw Pasikowski’s Aftermath, argues that the structure of Lacanian anamorphosis can productively be thought together with Derrida’s writing on spectrality. In Derridean discourses of hauntology, the spectral is something tha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8da8331e0630ee89c47b4e165f7086ab
https://doi.org/10.1057/978-1-137-46166-7_4
https://doi.org/10.1057/978-1-137-46166-7_4
Autor:
Matilda Mroz
Publikováno v:
Framing the Holocaust in Polish Aftermath Cinema ISBN: 9781137461650
This chapter argues that the village in the Sasnals’ It Looks Pretty From A Distance functions as a scrapyard of unwanted knowledge, people, objects and images, necessitating a gleaner’s approach to theoretical frameworks. The chapter conjoins Be
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::afe825ac7469f0557b868ee3a9205a42
https://doi.org/10.1057/978-1-137-46166-7_6
https://doi.org/10.1057/978-1-137-46166-7_6
Autor:
Matilda Mroz
Publikováno v:
Framing the Holocaust in Polish Aftermath Cinema ISBN: 9781137461650
This chapter explains how the unwanted knowledge of Polish wartime violence against their Jewish neighbours in Jedwabne emerged through the documentaries of Agnieszka Arnold and the scholarship of Jan Gross. It outlines the post-millennial Polish ref
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6f52bba43edd84b07085b9d64d67aa47
https://doi.org/10.1057/978-1-137-46166-7_1
https://doi.org/10.1057/978-1-137-46166-7_1