Zobrazeno 1 - 10
of 64
pro vyhledávání: '"Mathias Scharinger"'
Publikováno v:
NeuroImage, Vol 257, Iss , Pp 119310- (2022)
The neural processing of speech and music is still a matter of debate. A long tradition that assumes shared processing capacities for the two domains contrasts with views that assume domain-specific processing. We here contribute to this topic by inv
Externí odkaz:
https://doaj.org/article/a94d53632ed34c438c2aab156c798629
Publikováno v:
Frontiers in Human Neuroscience, Vol 16 (2022)
Externí odkaz:
https://doaj.org/article/48206c03bb294688848e8abcd6215c5f
Autor:
Karen Henrich, Mathias Scharinger
Publikováno v:
Frontiers in Psychology, Vol 12 (2022)
Predictions during language comprehension are currently discussed from many points of view. One area where predictive processing may play a particular role concerns poetic language that is regularized by meter and rhyme, thus allowing strong predicti
Externí odkaz:
https://doaj.org/article/c394ec2277d743a889add5bc6804eb9f
Publikováno v:
Frontiers in Human Neuroscience, Vol 15 (2021)
In vowel discrimination, commonly found discrimination patterns are directional asymmetries where discrimination is faster (or easier) if differing vowels are presented in a certain sequence compared to the reversed sequence. Different models of spee
Externí odkaz:
https://doaj.org/article/7db1f2eacc864754bdf02f41b521dddb
Publikováno v:
PLoS ONE, Vol 14, Iss 5, p e0216930 (2019)
We tested the hypothesis that phonosemantic iconicity--i.e., a motivated resonance of sound and meaning--might not only be found on the level of individual words or entire texts, but also in word combinations such that the meaning of a target word is
Externí odkaz:
https://doaj.org/article/970154b74cf2491da57a133b58067a92
Publikováno v:
Frontiers in Integrative Neuroscience, Vol 12 (2018)
Externí odkaz:
https://doaj.org/article/ff7a809e3b1f468fb157a51a652e1fe6
Publikováno v:
Frontiers in Psychology, Vol 9 (2018)
Conveying emotions in spoken poetry may be based on a poem's semantic content and/or on emotional prosody, i.e., on acoustic features above single speech sounds. However, hypotheses of more direct sound–emotion relations in poetry, such as those ba
Externí odkaz:
https://doaj.org/article/9cedbfc7fc42408b9e172b9a6a4e1049
Publikováno v:
PLoS ONE, Vol 13, Iss 11, p e0205980 (2018)
Research on the music-language interface has extensively investigated similarities and differences of poetic and musical meter, but largely disregarded melody. Using a measure of melodic structure in music--autocorrelations of sound sequences consist
Externí odkaz:
https://doaj.org/article/f2891b808e5e483cbc13d7cc9f258a8f
Publikováno v:
PLoS ONE, Vol 7, Iss 7, p e40953 (2012)
The precise neural mechanisms underlying speech sound representations are still a matter of debate. Proponents of 'sparse representations' assume that on the level of speech sounds, only contrastive or otherwise not predictable information is stored
Externí odkaz:
https://doaj.org/article/7997a99a1db34be880a812dcebb3cb53
Publikováno v:
Psychology of Aesthetics, Creativity, and the Arts. 17:163-177
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34f35bf40045ef044eeea00932619a1f
https://doi.org/10.1037/aca0000465
https://doi.org/10.1037/aca0000465