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pro vyhledávání: '"Mary M. McGlynn"'
Autor:
Mary M. McGlynn
While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Iri
Autor:
Mary M. McGlynn
Publikováno v:
Narratives of Class in New Irish and Scottish Literature ISBN: 9781349602827
“Fuck off, he couldnay drive man that was how he didnay have a fucking license: he couldnay fucking drive. He had never fucking learnt” (138). So we discover, midway through James Kelman’s How Late It Was, How Late, that Sammy Samuels botched h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b605c39e7e2aa8e7c3d3170f1259ce60
https://doi.org/10.1007/978-1-137-03876-0_1
https://doi.org/10.1007/978-1-137-03876-0_1
Autor:
Mary M. McGlynn
Publikováno v:
Narratives of Class in New Irish and Scottish Literature ISBN: 9781349602827
Local identity in the novels of Kelman and Doyle blends regional, working-class vernacular with wariness about constructions of nation. Several of Doyle’s novels explore how gender inflects this recipe, revealing the expectations society places on
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d8033d0f8506377cf219befa2bd0f008
https://doi.org/10.1007/978-1-137-03876-0_4
https://doi.org/10.1007/978-1-137-03876-0_4
Autor:
Mary M. McGlynn
Publikováno v:
Narratives of Class in New Irish and Scottish Literature ISBN: 9781349602827
So much of what links the authors discussed up to this point—marginalized dialects, peripheral settings, dynamics of the working class, fragmented form—stems from an aesthetic of reaction. This is not to say that its practitioners are reactionary
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c144d7381c44abdc61a6f645478f51a8
https://doi.org/10.1007/978-1-137-03876-0_5
https://doi.org/10.1007/978-1-137-03876-0_5
Autor:
Mary M. McGlynn
Publikováno v:
Narratives of Class in New Irish and Scottish Literature ISBN: 9781349602827
When Frank McCourt’s Angela’s Ashes was to be made into a film in 1998, the crew went to Limerick in search of his evocatively described World War II-era slums in the dirty lanes. As the story goes, they found instead a local economy in the midst
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8ebaa5b466833eae7fc2498ef70da8da
https://doi.org/10.1007/978-1-137-03876-0_3
https://doi.org/10.1007/978-1-137-03876-0_3
Autor:
Mary M. McGlynn
Publikováno v:
Narratives of Class in New Irish and Scottish Literature ISBN: 9781349602827
The first time James Kelman was nominated for Britain’s prestigious Booker Prize, in 1989, he skipped the awards ceremony. Kelman’s excuse was a writing course that he would not cancel, but his decision to stay at home acted as a physical corolla
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3826bb450b5d94dc8a7d3d70928586d
https://doi.org/10.1007/978-1-137-03876-0_2
https://doi.org/10.1007/978-1-137-03876-0_2
Autor:
Mary M. McGlynn
Publikováno v:
Narratives of Class in New Irish and Scottish Literature ISBN: 9781349602827
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34766167c1488a47c786ea15e1c58810
https://doi.org/10.1007/978-1-137-03876-0_6
https://doi.org/10.1007/978-1-137-03876-0_6