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pro vyhledávání: '"Mary Channen Caldwell"'
Autor:
Thomas B. Payne
Publikováno v:
Journal of the American Musicological Society. 76:242-245
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bf901d3cb17cd6b61e17c28402f5df59
https://doi.org/10.1525/jams.2023.76.1.242
https://doi.org/10.1525/jams.2023.76.1.242
Autor:
Payne, Thomas B.
Publikováno v:
Journal of the American Musicological Society; April 2023, Vol. 76 Issue: 1 p242-245, 4p
Akademický článek
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Autor:
Ciglbauer, Jan1 (AUTHOR)
Publikováno v:
Music & Letters. Feb2024, Vol. 105 Issue 1, p119-120. 2p.
Autor:
Mary Channen Caldwell
Publikováno v:
Journal of the Alamire Foundation. 15:69-106
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d559c86f9c2b3c6ae15a39ed6c8c905a
https://doi.org/10.1484/j.jaf.5.133796
https://doi.org/10.1484/j.jaf.5.133796
Autor:
Mary Channen Caldwell
Publikováno v:
Music and Letters. 102:191-233
Widely acknowledged as emerging from clerical, monastic, and pedagogical communities, the poetry of medieval Latin song was informed by the vocabulary, grammar, and rhetoric emanating from these spheres of knowledge and practice. I argue for the spec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5e348e1363f0d59d0d623cae90582ef1
https://doi.org/10.1093/ml/gcaa090
https://doi.org/10.1093/ml/gcaa090
Autor:
Mary Channen Caldwell
Publikováno v:
Journal of the American Musicological Society. 74:91-156
This article explores a practice in evidence across Europe from the twelfth to the nineteenth century involving the singing of a brief refrain within sacred Latin songs and hymns. Tracing the circulation of the two-part refrain “Fulget dies … Ful
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9a7702d5918150c9a03579b69a396746
https://doi.org/10.1525/jams.2021.74.1.91
https://doi.org/10.1525/jams.2021.74.1.91
Autor:
Mary Channen Caldwell
Throughout medieval Europe, male and female religious communities attached to churches, abbeys, and schools participated in devotional music making outside of the chanted liturgy. Newly collating over 400 songs from primary sources, this book reveals
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fe0c1022450de50f7fc01ab6de41d450
https://doi.org/10.1017/9781009043298
https://doi.org/10.1017/9781009043298
Autor:
Mary Channen Caldwell
Publikováno v:
The Litany in Arts and Cultures
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::101f7d322d7261a103eb56800e0f2046
https://doi.org/10.1484/m.stt-eb.5.119211
https://doi.org/10.1484/m.stt-eb.5.119211
Autor:
Mary Channen Caldwell
Publikováno v:
Journal of the Royal Musical Association. 143:273-324
As lyrical refrain forms flourished beginning in the twelfth century and increased attention was paid to the mise en page of song in manuscript sources, scribes faced the dilemma of how to cue frequent repetition of poetry and music. Owing to a lack
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7b3e9624d8c0cd652c5e212a103bcab8
https://doi.org/10.1080/02690403.2018.1507115
https://doi.org/10.1080/02690403.2018.1507115