Zobrazeno 1 - 10
of 24
pro vyhledávání: '"Martina Viljoen"'
Autor:
Martina Viljoen
Publikováno v:
Acta Academica, Vol 31, Iss 3 (2024)
Die affiniteit vie 'n meer sentimentele, ervaringsgerigte geestelike lied is binne die NG Kerk as histories-religieuse verskynsel gevestig. 'n Analise van polemiek in Die Kerkbode toon dat die meerderheid lidmate ook tans liedere vanuit die jeugsangb
Externí odkaz:
https://doaj.org/article/29ca7ced07594b829c9379a50a93520f
Autor:
Martina Viljoen
Publikováno v:
Acta Academica, Vol 54, Iss 2 (2022)
The purpose of this article is to examine the symbolic role of song regarding Afrophobia in South Africa – a topic which has received limited attention within local music scholarship. To this aim, a textual reading, drawing on thematic analysis ser
Externí odkaz:
https://doaj.org/article/1997db77c2364b6aa37499ca24bac95d
Autor:
Charla Schutte, Martina Viljoen
Publikováno v:
Acta Academica, Vol 53, Iss 1 (2021)
In post-apartheid South Africa, as part of deep-rooted socio-political and cultural disputes, Afrikaner ethnic anxiety is pervasive, while marginal and liminal experiences of being white and Afrikaans bring to the fore both self-protective positions
Externí odkaz:
https://doaj.org/article/691b8a9ac3af474e8affe4465f6dc3cb
Autor:
Martina Viljoen
Publikováno v:
Acta Academica, Iss 1 (2012)
Postmodernity is characterised by the fundamentalisation of plurality. As Aleida Assmann (1996: 99) finds, difference is affirmed in the form of deviance, gaps, and radical alterity. Within this intellectual milieu, the acknowledgment of alterity and
Externí odkaz:
https://doaj.org/article/0a56d9cf7a2a4b978c309d2372395a1a
Autor:
Martina Viljoen, Nicol Viljoen
Publikováno v:
Acta Academica, Vol 41, Iss 2 (2009)
Roelof Temmingh’s Kantorium (2003/4), a large-scale work for choir, soloists and orchestra, won the prestigious Helgaard Steyn award in 2006. Temmingh commented briefly on his extremely difficult personal circumstances during its creation. Should a
Externí odkaz:
https://doaj.org/article/857812a3fb704e8888ab34409c8f028c
Autor:
Martina Viljoen
Publikováno v:
Acta Academica, Vol 38, Iss 2 (2006)
Mozart’s opera Don Giovanni is generally recognised as the greatest work dealing with the theme of Don Juan. It is also extremely complex and raises in an unusually challenging way the significance of the figure of Don Giovanni. This article examin
Externí odkaz:
https://doaj.org/article/7dcbb5eac4b8450db6a72c3ac99b543f
Autor:
Martina Viljoen
These proceedings are the outcome of international collaboration between Southern African and international scholars. As such, it is a valuable resource to local as well as international scholars who are interested in the interdisciplinary field of t
Autor:
Martina Viljoen
Publikováno v:
Muziki. 11:116-132
This article explores the music school as a locus of musical production that is rarely subjected to critique. Departing from the viewpoints of Bruno Nettl (1995) who describes the music school as a society “ruled by deities with sacred texts, ritua
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0a724349f11de1997bd864a3739bc79e
https://doi.org/10.1080/18125980.2014.966469
https://doi.org/10.1080/18125980.2014.966469
Autor:
Martina Viljoen
Publikováno v:
Journal of the Musical Arts in Africa; Vol 11 (2014); 73-88
This article focuses on the interaction between feminist debates and music. It explores the way in which two musical texts, representing different musical genres and different racial and social contexts, confront issues of gender and sexuality by red
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2575b6cc8918d259ec6bfa749b89caca
https://doi.org/10.2989/18121004.2014.995432
https://doi.org/10.2989/18121004.2014.995432
Autor:
Martina Viljoen
Publikováno v:
Muziki. 3:114-133
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f85925dd73e260dbbc0e0178a4aa25ed
https://doi.org/10.1080/18125980608538786
https://doi.org/10.1080/18125980608538786