Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Martin de la Iglesia"'
Autor:
Martin de la Iglesia
Publikováno v:
Asian Studies, Vol 10, Iss 1 (2022)
Externí odkaz:
https://doaj.org/article/6a2c6583bb6c4039a98ef02ace07d568
Autor:
Martin de la Iglesia, Franziska Diehr, Uwe Sikora, Sven Gronemeyer, Maximilian Behnert-Brodhun, Christian Prager, Nikolai Grube
Publikováno v:
Journal of the Text Encoding Initiative, Vol 14 (2021)
Maya hieroglyphic script (300 BCE–1500 CE) is a semi-deciphered logographic and syllabic autochthonous writing system from the Americas and is one of the most significant writing traditions of the ancient world. Because of its incomplete state of d
Externí odkaz:
https://doaj.org/article/ce726c51f25441fcbe820d210ffa8387
Autor:
Martin de la Iglesia
Publikováno v:
Arts, Vol 7, Iss 3, p 32 (2018)
Between the late 1980s and early 1990s, interest in the cyberpunk genre peaked in the Western world, perhaps most evidently when Terminator 2: Judgment Day became the highest-grossing film of 1991. It has been argued that the translation of Katsuhiro
Externí odkaz:
https://doaj.org/article/bac2ec504daa4610a1893cf7548b2f45
Autor:
Martin de la Iglesia
Publikováno v:
The Comics Grid: Journal of Comics Scholarship, Vol 6, Iss 0 (2016)
Translated editions of Katsuhiro Ōtomo’s manga Akira played an important role in the popularisation of manga in the Western world. Published in Japan between 1982 and 1990, editions in European languages followed as soon as the late 1980s. In the
Externí odkaz:
https://doaj.org/article/96215dcee74746b9880368d51e020a29
Autor:
Martin de la Iglesia, Mathias Göbel
Publikováno v:
Journal of the Text Encoding Initiative, Vol 8 (2015)
Within the last few decades, TEI has become a major instrument for philologists in the digital age, particularly since a set of mechanisms has recently been incorporated which facilitates the encoding of genetic editions. Editors use the XML syntax w
Externí odkaz:
https://doaj.org/article/e1fc13678f4b436cb59e2069b6a8f20d
Autor:
Martin de la Iglesia
Publikováno v:
Revista Europeia de Estudos Artísticos; Vol 4 No 2 (2013): ERAS | 13.ª Edição ; 59-95
Revista Europeia de Estudos Artisticos; Vol. 4 Núm. 2 (2013): ERAS | 13.ª Edição ; 59-95
Revista Europeia de Estudos Artisticos; Vol. 4 No 2 (2013): ERAS | 13.ª Edição ; 59-95
Revista Europeia de Estudos Artísticos; v. 4 n. 2 (2013): ERAS | 13.ª Edição ; 59-95
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP
Martin de la Iglesia
Revista Europeia de Estudos Artisticos; Vol. 4 Núm. 2 (2013): ERAS | 13.ª Edição ; 59-95
Revista Europeia de Estudos Artisticos; Vol. 4 No 2 (2013): ERAS | 13.ª Edição ; 59-95
Revista Europeia de Estudos Artísticos; v. 4 n. 2 (2013): ERAS | 13.ª Edição ; 59-95
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP
Martin de la Iglesia
Often, works of art are praised for their “presence”. What exactly this term means, however, is less frequently specified. In this article, presence is defined as a trait of an artwork to cause the vague and possibly subconscious feeling in a vie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::50cf639639f798092c1d997e308edba8
https://doi.org/10.37334/eras.v4i2.133
https://doi.org/10.37334/eras.v4i2.133
Autor:
Martin de la Iglesia
Publikováno v:
Martin de la Iglesia
SAUC-Street Art & Urban Creativity Scientific Journal; Vol 1 No 1 (2015): Methodologies for Research; 40-49
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP
SAUC-Street Art & Urban Creativity Scientific Journal; Vol 1 No 1 (2015): Methodologies for Research; 40-49
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP
It is generally acknowledged that street art is a particularly ephemeral art. For instance, graffiti are usually actively removed, thus existing for sometimes only a few days. Otherwise, they deteriorate gradually due to the effects of the weather, o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::180e000d5a8330affda9c323014b95c7
Autor:
Mathias Göbel, Martin de la Iglesia
Publikováno v:
Journal of the Text Encoding Initiative, Vol 8 (2015)
Within the last few decades, TEI has become a major instrument for philologists in the digital age, particularly since a set of mechanisms has recently been incorporated which facilitates the encoding of genetic editions. Editors use the XML syntax w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1ce35556a4b777c600904eddfb0bf7ab
http://jtei.revues.org/1253
http://jtei.revues.org/1253
Publikováno v:
Vom Nutzen der Editionen: Zur Bedeutung moderner Editorik für die Erforschung von Literatur-und Kulturgeschichte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::797a7a70c86c8adccc7b54bdb62150b6
https://doi.org/10.1515/9783110418255-022
https://doi.org/10.1515/9783110418255-022
Autor:
Martin de la Iglesia
Publikováno v:
CLCWeb: Comparative Literature and Culture
Scopus-Elsevier
Martin de la Iglesia
Scopus-Elsevier
Martin de la Iglesia
In his article "Authorship, Collaboration, and Art Geography" Martin de la Iglesia explores the connection between geographical spaces and works of art, a connection often made, but hardly theorized, by scholars in the field of art geography. He sugg
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::69545f2ce57b10a2675e9c3c50c67680
http://docs.lib.purdue.edu/clcweb/vol12/iss3/6
http://docs.lib.purdue.edu/clcweb/vol12/iss3/6