Zobrazeno 1 - 10
of 66
pro vyhledávání: '"Martin Iddon"'
Autor:
Martin Iddon
John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete exta
Autor:
Martin Iddon
New Music at Darmstadt explores the rise and fall of the so-called'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development
Autor:
Martin Iddon
Publikováno v:
Notes. 79:442-447
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::40b0e7518515863f4eccd2033dc38d38
https://doi.org/10.1353/not.2023.0022
https://doi.org/10.1353/not.2023.0022
Autor:
Martin Iddon, Scott McLaughlin
Publikováno v:
Tempo. 76:71-81
In 2019 the present authors, along with our colleague Mic Spencer, began work on a project funded by the Leeds Institute for Teaching Excellence, designed to look at the ways in which we taught composition at the University of Leeds and how we might
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a06d536be8b6d60bb425bca160dada8f
https://doi.org/10.1017/s0040298222000365
https://doi.org/10.1017/s0040298222000365
Autor:
Martin Iddon, Philip Thomas
Publikováno v:
John Cage's Concert for Piano and Orchestra
This chapter considers the way in which the Concert for Piano and Orchestra has been interpreted by commentators, from musicologists and other composers to professional philosophical thinkers. It shows the way in which these interpretations played a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4b0324858147090c6e7a2b8158b08a1a
https://doi.org/10.1093/oso/9780190938475.003.0008
https://doi.org/10.1093/oso/9780190938475.003.0008
Autor:
Martin Iddon, Philip Thomas
Publikováno v:
John Cage's Concert for Piano and Orchestra
This chapter develops the insights of its predecessor, turning the analytical gaze onto the notional piano soloist’s part, the Solo for Piano. It details the ways in which the many notations of the part are related to one another, through repetitio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d922310ecb9b7c9f169b178d5af993e4
https://doi.org/10.1093/oso/9780190938475.003.0007
https://doi.org/10.1093/oso/9780190938475.003.0007
Autor:
Philip Thomas, Martin Iddon
Publikováno v:
John Cage's Concert for Piano and Orchestra
This chapter discusses Cage’s sketches for the Concert for Piano and Orchestra. It outlines both what can be said about Cage’s compositional process on the basis of sheets which directly detail aspects of it and on the basis of the traces of his
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::22b6d32f4a3e66e872ac4369b193ba73
https://doi.org/10.1093/oso/9780190938475.003.0003
https://doi.org/10.1093/oso/9780190938475.003.0003
Autor:
Martin Iddon, Philip Thomas
Publikováno v:
John Cage's Concert for Piano and Orchestra
This chapter examines the public presentation of the Concert for Piano and Orchestra in four guises, in its New York premiere, in the development and release of the recording of that performance, in its European premiere in Cologne, and its centralit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::be88d496ea31ef5fa448fde74b1ad45f
https://doi.org/10.1093/oso/9780190938475.003.0004
https://doi.org/10.1093/oso/9780190938475.003.0004