Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Martin Heusser"'
Autor:
Martin Heusser
Publikováno v:
European Journal of American Studies, Vol 1, Iss 1
Externí odkaz:
https://doaj.org/article/da921811f1f14f42aa113b2330356855
Autor:
Johannes Riquet, Martin Heusser
This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the
Autor:
Martin Heusser
Publikováno v:
Imaging Identity ISBN: 9783030217730
Photojournalism played a dominant part in the formation of public opinion in the United States on the Vietnam War. Drawing on Robert Hariman and John Louis Lucaites’s concept of “civic spectatorship,” this chapter offers an in-depth analysis of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e2ff326706995fd5ea484ee8d74b75f5
https://doi.org/10.1007/978-3-030-21774-7_9
https://doi.org/10.1007/978-3-030-21774-7_9
Autor:
Johannes Riquet, Martin Heusser
Publikováno v:
Imaging Identity ISBN: 9783030217730
As the title of W. J. T. Mitchell’s influential book What Do Pictures Want? The Lives and Loves of Images (2005) suggests, images have demands on us. Conversely, we want things from images, and both sets of demands evolve within shifting image cult
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::abc2fa4ca9f59af931844fbd9ab9b8db
https://doi.org/10.1007/978-3-030-21774-7_1
https://doi.org/10.1007/978-3-030-21774-7_1
Publikováno v:
Imaging Identity ISBN: 9783030217730
In Bharati Mukherjee’s novel Jasmine, the eponymous protagonist’s process of self-formation is characterised by the interplay of the visual and the verbal. Jasmine’s attempt to constitute the self by identifying with the (static) images of iden
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ddded89e96e6e31816b306715a9725e0
https://doi.org/10.1007/978-3-030-21774-7_6
https://doi.org/10.1007/978-3-030-21774-7_6
Parallaxing Joyce is a groundbreaking collection of critical essays, as it approaches James Joyce's work using parallactic principles as its overriding theoretical framework. While parallax, a frequent term in Joyce's work, originally derives from as
Autor:
Martin Heusser
Publikováno v:
Variations. 2004:225-241
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d62d4245d4aff2a4f6f6b031ef709038
https://doi.org/10.3726/85597_225
https://doi.org/10.3726/85597_225
Autor:
Martin Heusser
Publikováno v:
Word & Image. 11:16-30
Critics are often especially puzzled and rather helpless in the face of cummings's ‘poem pictures’.1 Many of his detractors denounce cummings's techniques outright, dismissing them as ‘a printer's nightmare’, or nothing but ‘typographical t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18307dd56475756bccea15fec491d732
https://doi.org/10.1080/02666286.1995.10435894
https://doi.org/10.1080/02666286.1995.10435894
Autor:
Martin Heusser
Publikováno v:
Relational Designs in Literature and the Arts ISBN: 9789401208567
In "The Origin of the German Tragic Drama", Walter Benjamin makes a remarkable observation on the visual aspect of text when he contends that 'there is nothing subordinate about written script, it is not cast away in reading, like dross. It is absorb
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::73214a970f11dc1656082cc7b1a08b58
https://www.zora.uzh.ch/id/eprint/70162/
https://www.zora.uzh.ch/id/eprint/70162/