Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Marisa C. Hayes"'
Autor:
Marisa C. Hayes, Luisa Lazzaro
Publikováno v:
The International Journal of Screendance, Vol 13 (2022)
No abstract available.
Externí odkaz:
https://doaj.org/article/5c76b2a007964a1780369c3f301bb8c0
Autor:
Marisa C. Hayes, Luisa Lazzaro
Publikováno v:
The International Journal of Screendance, Vol 13 (2022)
No abstract available.
Externí odkaz:
https://doaj.org/article/868490c71f424932b5ea7bc41329019a
Autor:
Marisa C. Hayes, Luisa Lazzaro
Publikováno v:
The International Journal of Screendance, Vol 13 (2022)
No abstract available.
Externí odkaz:
https://doaj.org/article/be54520894bc4e1c927aad5fe3b920cd
A Forum of Questions for Active Viewing, Learning and Creating on Screen(s) During a Global Pandemic
Publikováno v:
The International Journal of Screendance, Vol 12, Iss 0 (2021)
No abstract available.
Externí odkaz:
https://doaj.org/article/aadcf56caff34c3dbd85a1ac21981c81
Autor:
Marisa C. Hayes
Publikováno v:
The International Journal of Screendance, Vol 5, Iss 0 (2015)
In honor of the first centenary surrounding the pivotal composition and ballet Le Sacre du Printemps (The Rite of Spring) in 2013, Franck Boulègue and I coordinated a collective screendance project entitled Sacre/ilège(s). Created in collaboration
Externí odkaz:
https://doaj.org/article/e5c8ae0daee843b1984d769a3458242d
Composed of papers originally presented during the International Screendance Conference at the Festival International de Vidéo Danse de Bourgogne, Art in Motion considers the choreography of moving images from a variety of angles, including somatic
A Forum of Questions for Active Viewing, Learning and Creating on Screen(s) During a Global Pandemic
Publikováno v:
The International Journal of Screendance, Vol 12, Iss 0 (2021)
No abstract available.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5450bf9d6642cbd8a7b802be4d29beda
https://doi.org/10.18061/ijsd.v12i0.7841
https://doi.org/10.18061/ijsd.v12i0.7841
Autor:
Marisa C. Hayes
This concluding chapter highlights how, despite the mixed critical reception it received outside Japan initially, Ju-on: The Grudge (2002) went on to become a founding pillar of the contemporary J-horror movement as both a successful domestic product
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f9a44b0437a5c37b71de79d325ac3868
https://doi.org/10.3828/liverpool/9781911325291.003.0006
https://doi.org/10.3828/liverpool/9781911325291.003.0006
Autor:
Marisa C. Hayes
Publikováno v:
Ju-On: The Grudge
This chapter presents a detailed analysis of Ju-on: The Grudge (2002). The film's links to the revenge hauntings outlined in onryō tales are undeniable, yet it is also true that Kayako's angry ghost does not always adhere to the formula outlined in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::284eaca7e1b37dc3541cff170b4c3947
https://doi.org/10.3828/liverpool/9781911325291.003.0004
https://doi.org/10.3828/liverpool/9781911325291.003.0004
Autor:
Marisa C. Hayes
This introductory chapter provides an overview of Ju-on: The Grudge (2002), which was written and directed by Takashi Shimizu. Ju-on: The Grudge was one of the key titles that helped launch the popularity of ‘J-horror’ at the turn of the millenni
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::69ac74230c3db70aa3ae544fe5d8c771
https://doi.org/10.3828/liverpool/9781911325291.003.0001
https://doi.org/10.3828/liverpool/9781911325291.003.0001