Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Mario Katavić"'
Autor:
Mario Katavić
Biohakiranje je novi i široki pojam koji obuhvaća raznolike aktivnosti eksperimentiranja na živim bićima. Biohakiranjem u genetičkom inženjerstvu možemo smatrati različite eksperimente s genetičkim materijalom, koje najčešće izvode školo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::5a0c0cf9b54f35d48ac5244a2fe12274
https://urn.nsk.hr/urn:nbn:hr:166:985752
https://urn.nsk.hr/urn:nbn:hr:166:985752
Autor:
Marjanović, Zlata
Publikováno v:
Bulletin of the International Council for Traditional Music. Apr2014, Issue 125, p29-31. 3p.
Autor:
Ciantar, Philip
Publikováno v:
Bulletin of the International Council for Traditional Music. Jan2019, Issue 139, p17-18. 2p.
Autor:
Marjanović, Zlata
Publikováno v:
Bulletin of the International Council for Traditional Music. Jan2019, Issue 139, p18-20. 3p.
Autor:
Primorac, Jakša, Marjanović, Zlata
Dalmatinska glazba je u zadnjih dvadesetak godina postala općepopularnom u Boki i na cjelokupnom Crnogorskom primorju. Posebno mjesto pritom zauzima klapsko pjevanje. Nevladina organizacija Međunarodni festival klapa Perast od svoga osnutka 2002. n
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::17e6c65e0c67f83e87c224aabc4354c6
https://www.bib.irb.hr/937201
https://www.bib.irb.hr/937201
Autor:
Marijan Orsolic
Ein multireligiöser Chor, der eine Symphonie der abrahamitischen Religionen singt und die Kriegswunden heilt. Ein Rat für interreligiösen Dialog, in dem Muslime, Juden und Christen jahrelang zusammenarbeiten. Ein multireligiöses Netzwerk der Frau
Autor:
Dalibor Milas
'Bosnien ist ein Land des Hasses und der Angst” - hat schon im Jahr 1920 der jugoslawische Literaturnobelpreisträger Ivo Andrić geschrieben. Über zwei Jahrzehnte nach Ende des letzten Krieges ist Bosnien-Herzegowina immer noch ein tief verwundet
Autor:
Janet Sturman
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understand
Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually,