Zobrazeno 1 - 10
of 44
pro vyhledávání: '"Mario Dunkel"'
Autor:
Ralf von Appen, Mario Dunkel
Populäre Musik macht Angebote zur soziokulturellen Orientierung und Positionierung ihrer Hörer•innen. Damit verbunden sind Machtstrukturen - etwa im Verhältnis der Geschlechter, der Generationen, Ethnien oder sozialen Milieus -, die populäre Mu
Autor:
Mario Dunkel, Sina A. Nitzsche
In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th centu
Autor:
Mario Dunkel, Melanie Schiller
Publikováno v:
Popular Music, 41(3), 281-292. Cambridge University Press
On 12 November 2017, the Philippine celebrity musician Pilita Corrales was singing the popular song ‘Ikaw’ (‘You’) at a gala event in Manila, attended by some of the world's most powerful politicians at the time, US President Donald Trump and
Autor:
Mario Dunkel, Anna Schwenck
Publikováno v:
HipHop im 21. Jahrhundert ISBN: 9783658365158
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eacb55855a59ae19aec501a735876254
https://doi.org/10.1007/978-3-658-36516-5_6
https://doi.org/10.1007/978-3-658-36516-5_6
Autor:
Mario Dunkel, Melanie Schiller
This book focuses on the role of popular music in the rise of populism in Europe, centring on the music-related processes of sociocultural normalisation and the increasing prevalence of populist discourses in contemporary society. In its innovative c
Autor:
Mario Dunkel, Tonio Oeftering
Während sich einzelne Stimmen in der Musikpädagogik bereits seit einiger Zeit mit Fragen nach Politik und dem Politischen in der Musik auseinandersetzen, lässt sich inzwischen auch in der Politischen Bildung ein verstärktes Interesse an Musik und
Autor:
Dirk Kemper, Natalia Bakshi, Elisabeth Cheauré, Paweł Zajas, Jan Kantorczyk, Michael Reiffenstuel, Michail Efimovič Švydkoj, Dorothea Rüland, Vladimir Vjačeslavovič Kočin, Heike Friesel, Slávka Rude-Porubská, Monika Schmitz-Emans, Alexander Gurdon, Mario Dunkel, Peter Goßens, Stefan Maurer, Alexander W. Belobratow, Raimund Fellinger, Sandra Richter, Thomas Kadelbach, Evi Ziegler c/o EDV Fotowerk Huber
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3d7da4c0f63726f025646fd118938945
https://doi.org/10.30965/9783846764404
https://doi.org/10.30965/9783846764404
Autor:
Mario Dunkel
Publikováno v:
European Journal of Musicology. 16:191-207
The 1960s and 1970s are regarded by some historians as being particularly creative decades for jazz in Britain, when British jazz developed its own sound that was distinct from that of American jazz. While not denying that this was a creatively fruit
New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a'tradition'consisting of fixed components including a succession of jazz styles. How did this construction of