Zobrazeno 1 - 10
of 29
pro vyhledávání: '"Mariko Anno"'
Autor:
Mariko Anno
What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition, Ma
Autor:
Witzleben, J. Lawrence
Publikováno v:
Ethnomusicology Forum; Apr2024, Vol. 33 Issue 1, p150-153, 4p
Autor:
Mariko Anno
Publikováno v:
Ethnomusicology. 65:610-612
Autor:
Mariko Anno
Publikováno v:
Piercing the Structure of Tradition
This chapter provides a preliminary explanation of the shōdan, which gives an accessible description of the mugen Noh structure and the three categories of shōdan. It surveys past research on nohkan entrances and melodic patterns through the shōda
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9f823579bd0288d67a388ea1c4dda933
https://doi.org/10.7591/cornell/9781939161079.003.0004
https://doi.org/10.7591/cornell/9781939161079.003.0004
Autor:
Mariko Anno
Publikováno v:
Piercing the Structure of Tradition
This chapter discusses the three primary functions of the nohkan in a Noh play and focuses on comprehending the role of shōga and the importance and history of oral transmission. It offers an analysis of Issō Yukihiro singing the shōga of the ryo-
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::564db207bccea9bfcae0058fe6d9c984
https://doi.org/10.7591/cornell/9781939161079.003.0003
https://doi.org/10.7591/cornell/9781939161079.003.0003
Autor:
Mariko Anno
This chapter investigates flute performance as a space for exploring the relationship between tradition and innovation and traces the characteristics of the nohkan and its music. It examines the musical structure and nohkan melodic patterns of five t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6cc6f14d7f9edcbab4baca001a389102
https://doi.org/10.7591/cornell/9781939161079.003.0001
https://doi.org/10.7591/cornell/9781939161079.003.0001
Autor:
Mariko Anno
Publikováno v:
Piercing the Structure of Tradition
This chapter examines the development and construction techniques of the nohkan and includes interviews with the nohkan makers. It explains nohkan, also known as fue (flute), as a transverse flute made from a type of bamboo known as Pleioblastus simo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2e94e574fb00dcace24655c4f507fdd3
https://doi.org/10.7591/cornell/9781939161079.003.0002
https://doi.org/10.7591/cornell/9781939161079.003.0002
Autor:
Mariko Anno
Publikováno v:
Piercing the Structure of Tradition
This chapter presents transcriptions of Issō Yukihiro's “theoretical” nohkan entrance and compares it with a specific shōdan from a live performance of Atsumori with Yukihiro on the nohkan. It demonstrates an individual interpretation of a Noh
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5aacaef210eb5b5808069bfce2c89fda
https://doi.org/10.7591/cornell/9781939161079.003.0005
https://doi.org/10.7591/cornell/9781939161079.003.0005
Autor:
Mariko Anno
Publikováno v:
Piercing the Structure of Tradition
This chapter reviews the strict separation that exists in Japan between professional and amateur Noh performers and how this boundary translates overseas through the collaborative works of Theatre Nohgaku and professional Noh performers. It demonstra
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::499b1c21777a1d11a3d97e9384672652
https://doi.org/10.7591/cornell/9781939161079.003.0007
https://doi.org/10.7591/cornell/9781939161079.003.0007
Autor:
Mariko Anno, Judy Halebsky
Publikováno v:
Asian Theatre Journal. 31:126-152