Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Marie Tavinor"'
Autor:
Marie Tavinor
Publikováno v:
Journal of Art Historiography, Iss 22, Pp 22-MT1 (2020)
A prominent art dealer operating between Paris and New York during the interwar years, René Gimpel (1881-1945) kept a diary which was first published in 1963 and then republished in an extended version in 2011. Using the diary as a tool, albeit ackn
Externí odkaz:
https://doaj.org/article/d191b4f3b2684141823776df32f814fe
Autor:
Marie Tavinor
Publikováno v:
Journal for Art Market Studies, Vol 2, Iss 4 (2018)
This article examines the introduction of two waves of Scottish artists at the newly-founded Venice Biennale in 1897 and 1899 and considers how the Venetian venture negotiated the need to innovate with the imperative to build up its own reputation. U
Externí odkaz:
https://doaj.org/article/d93a0f46795146b6bf31879844a4f447
Autor:
Marie Tavinor, Clarissa Ricci
Publikováno v:
Journal of Modern Italian Studies. 26:482-501
Inspired by Giorgio de Chirico’s painting exhibited in Venice in 1948, the exhibition Le Muse Inquiete (The Disquieted Muses) celebrated the Venice Biennale’s 125th anniversary. Held in the central...
Autor:
Marie Tavinor, Clarissa Ricci
Publikováno v:
Journal of Modern Italian Studies. 26:369-381
This special issue focuses on one of the most longstanding, international, and large scale exhibitions: the Venice Biennale. The keywords ‘art’, ‘agency’ and ‘market’ act as methodological pathways...
Autor:
Marie Tavinor
Publikováno v:
Journal of Modern Italian Studies. 26:382-399
The literature generally hails Antonio Fradeletto (1858-1930), first general secretary of the Biennale between 1895 and 1914, as instrumental in organising the venture and in setting forth its arti...
Autor:
Marie Tavinor
Publikováno v:
Visual Resources. 36:397-401
Autor:
Marie Tavinor
Publikováno v:
Luxury. 6:139-143
Le luxe desordonne se detruit lui-meme, il epuise ses sources, il tarit ses canaux.Saint-LambertThis special issue of the Journal Luxury, History, Culture, Consumption stems from a conference which...
Autor:
Marie Tavinor
Publikováno v:
International Journal for History, Culture and Modernity, Vol 4, Iss 1, Pp 73-91 (2016)
The opening of the Venice Biennale in 1895 provided an unprecedented occasion to bring international art to the Italian public. It thus enabled intellectuals, art critics and the wider public to see and judge national productions side by side. This p