Zobrazeno 1 - 10 of 14 pro vyhledávání: '"Maribeth Clark"'
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Musicology and Dance : Historical and Critical Perspectives
Autor: Davinia Caddy, Maribeth Clark
Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest
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The Ballet Classics: ‘Coppélia’, ‘Paquita’, and ‘Giselle’ - Léo Delibes Coppélia Charline Giezendanner (Swanilda), Mathieu Ganio (Franz), Pierre Lacotte (Coppélius), Marie-José Redont (the Mother) and Cyril Mitilian (the Mayor) Paris National Opera Ballet School of Dance Arthur Saint-Léon, choreographer (version by Albert Aveline) Pierre Lacotte and Claude Bessy, stage directors Paris National Opera Orchestra, David Coleman, cond Recorded live at the Opéra National de Paris, Palais Garnier (2001). Arthaus Musik 107231, 2011 (1 DVD: 67 minutes). - Edouard Delvedez and Ludwig Minkus Paquita Agnès Letestu (Paquita), José Martinez (Lucien d'Hervilly), Karl Paquette (Iñigo), Richard Wilk (The General, Comte d'Hervilly), Céline Talon (the Countess), Jean-Marie Didière (Don Lopez de Mendoza) and Béatrice Martel (Dona Serafina) Pierre Lacotte, choreographer (after Joseph Mazilier and Marius Petipa) Luisa Spinatelli, set and costume designer Paris National Opera Orchestra, David Coleman, cond Recorded live at the Opéra National de Paris (2003) Arthaus Musik 107005, 2008 (1 DVD: 103 minutes) Special features include interviews with Brigitte Lefèvre (director of dance, Opéra National de Paris), Pierre Lacotte, Agnès Letestu and José Martinez. - Adolphe Adam, Giselle Laëtitia Pujol (Giselle), Nicolas Le Riche (Albrecht), Wilfried Romoli (Hilarion), and Marie-Agnès Gillot (Myrtha). Paris National Opera Ballet. Jean Coralli and Jules Perrot (1841), choreographers (restaged by Marius Petipa, adapted by Patrice Bart and Eugène Polyakov). Alexandre Benois (1924), set and costume designer (realized by Silvano Mattei and Claudie Gastine). Paris National Opera Orchestra, Paul Connelly, cond Recorded live at the Opéra National de Paris (2006) Arthaus Musik 107321, 2011. (1 DVD: 111 minutes)
Autor: Maribeth Clark
Publikováno v: Nineteenth-Century Music Review. 11:379-384
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::f3f868e5fb9491a5568ea4c72cb93fdb
https://doi.org/10.1017/s1479409814000305
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The Role of Gustave, ou Le bal masque in Restraining the Bourgeois Body of the July Monarchy
Autor: Maribeth Clark
Publikováno v: The Musical Quarterly. 88:204-231
In 1833, the same year that Daniel-Frangois-Esprit Auber's Gustave, ou Le bal masqud premiered, Hans Christian Andersen began a grand tour that included a stay in Paris, the "city of cities."' His visit coincided with events in celebration of the thi
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::0a1885a81e27725d0a934675f8dad891
https://doi.org/10.1093/musqtl/gdi009
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