Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Mariagabriella Cambiaghi"'
Autor:
Mariagabriella Cambiaghi
Publikováno v:
Il castello di Elsinore, Iss 86 (2022)
Externí odkaz:
https://doaj.org/article/865aa603d6f1477f9532467751d04c34
Autor:
Mariagabriella Cambiaghi
Publikováno v:
Drammaturgia, Vol 15, Iss 5 (2020)
The paper focuses on the Giacinto Battaglia’s eclectic personality and on his activity in the theatrical system of Milan in the early 19th century. Through archive documents and several articles from theatrical journals (especially from «Il Barbie
Externí odkaz:
https://doaj.org/article/c7eec990677044c381d03f9dd4dd6f9c
Autor:
Mariagabriella Cambiaghi
Publikováno v:
ACME, Vol 71, Iss 1, Pp 183-196 (2018)
L’articolo studia la relazione tra testo drammatico e lavoro dell’attore, in riferimento al suo fondamentale contributo alla creazione scenica della parte attraverso la “drammaturgia d’attore”. In tale prospettiva, un esempio interessante
Externí odkaz:
https://doaj.org/article/737792498830445998e42ffbbe01635b
Autor:
Mariagabriella Cambiaghi
Publikováno v:
Itinera, Iss 17 (2019)
Les combustibles (translated into Italian as Libri da ardere) is the third Amélie Nothomb work and her unique theatrical text. However, it can’t be considered as a canonical play, for its strong relationship with the page and the reader. The pa
Externí odkaz:
https://doaj.org/article/76dead08d36b47e9b1f5143dde6782a7
Autor:
Mariagabriella Cambiaghi
Publikováno v:
Il castello di Elsinore, Iss 77 (2017)
At the end of the 19th century, Italian stages were dominated by a very popular form of French comedy, which audiences and managers called pochade. One of the most interesting examples of this genre is La dame de chez Maxim, staged for the first time
Externí odkaz:
https://doaj.org/article/5108db1c8cb04f5790a913607bba2964
Autor:
Mariagabriella Cambiaghi
Publikováno v:
Lebenswelt: Aesthetics and Philosophy of Experience, Vol 0, Iss 10 (2017)
In the twenties the playwright and stage director Marco Praga became a dramatic critic on the “Illustrazione italiana”. In his incisive production an interesting section is devoted to Tatiana Pavlova, a Russian actress who started performing in I
Externí odkaz:
https://doaj.org/article/1bb158fcc3eb45b0a40c62d133f42ab2
Autor:
Mariagabriella Cambiaghi
Publikováno v:
Itinera, Iss 12 (2017)
The paper aims to investigate the idea of taste in the comedies of Carlo Goldoni. In 1750 Goldoni presents on the stage Il cavaliere di buon gusto, where good taste is characterized by measure and dignity in manners and conduct in everyday life thi
Externí odkaz:
https://doaj.org/article/0ccbbd60420d44e0aa29605d49c46889
Autor:
Mariagabriella Cambiaghi
Publikováno v:
Lanx, Vol 0, Iss 7, Pp 240-260 (2011)
Nonostante una fortuna che ha dato vita alla stesura di numerosi drammi a partire dal Cinquecento, la figura di Cleopatra sembra essere giunta assai raramente sul palcoscenico in forma diversa da quella – assai complessa – immaginata da Shakespea
Externí odkaz:
https://doaj.org/article/3e2531adf3a34072b58ce265ef4c40a7
Autor:
MARIAGABRIELLA CAMBIAGHI
Publikováno v:
University of Milan-Riviste
Come molti personaggi mitici del mondo antico, quello di Fedra è accompagnato dal pregiudizio comune che la associa alla figura di donna perversa e divorata da una passione incestuosa. L’articolo discute la tenuta di tale preconcetto negli allesti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9e1f7915e94cfc81235d19c5fd87f0b5
https://doi.org/10.54103/2035-4797/18736
https://doi.org/10.54103/2035-4797/18736
Il volume offre un profilo storico-critico dell'attrice Dina Galli, uno dei volti divistici più rappresentativi della scena teatrale italiana del primo Novecento, ma anche brillante interprete cinematografica soprattutto negli anni Trenta. In questa
