Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Maria URMĂ"'
Autor:
Maria URMĂ
Publikováno v:
Cultural Intertexts, Vol 13, Iss 1, Pp 110-120 (2023)
The landscape is one of the factors that define the characteristic image of a settlement. The natural settings represent the major and primary features of a site. Highlighting them is a method of revealing its traditional image, given that the rela
Externí odkaz:
https://doaj.org/article/97bc794d0f5d48aa9e33ce52ed8c3994
Autor:
Maria Urmă
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol 9, Iss 2, Pp 153-155 (2022)
Book review: Daniel Ion Sofron, Perspectivă artistică. O abordare practică / Perspective in Art. A Practical Approach, PIM Publishing House, Iași, 2022, 2 volumes, 240 pages.
Externí odkaz:
https://doaj.org/article/05274d5948894a86961bed8faaad0658
Autor:
Maria Urmă
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol IV, Iss 1, Pp 108-127 (2017)
Surviving the destructions of the war, the old town of Krakow is a lesson of architecture and urbanism through the multitude of architectural styles, coherence and urban continuity. These features were preserved despite the numerous stages of constru
Externí odkaz:
https://doaj.org/article/37e3a636b9fd493aa59d7e7b37754cbf
Autor:
Maria Urmă
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol III, Iss 1, Pp 76-87 (2016)
The pentagram is a symbol present in most of the world cultures. It is a symbol of the human being in action, a quintessence of the universal principles, but also a symbol of the evolution, of the becoming, of life after all. This symbol must be rega
Externí odkaz:
https://doaj.org/article/80a11da4bba44f7d84c8bed05b500be5
Autor:
Maria Urmă
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol II, Iss 1, Pp 155-172 (2015)
The ecclesial space, as outlined over time, highlights the permanent human's relationship with the divine, expressed in basic architectural forms. Byzantine ecclesiastical space is distinguished by characteristic forms, which differentiate it from t
Externí odkaz:
https://doaj.org/article/d0367be5fbce40c5976829f0ca45ac91
Autor:
Maria Urmă
Publikováno v:
Anastasis: Research in Medieval Culture and Art, Vol I, Iss 1, Pp 86-99 (2014)
The inverse perspective is a method of representing spatial depth used only in Byzantine painting. It is different from Renaissance perspective (a method of realistic, conventional, subjective, subject to a single point of view). The inverse perspect
Externí odkaz:
https://doaj.org/article/a8d93ab8bf6444389e4269b19cb13ab7
