Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Maria Sonevytsky"'
Autor:
Maria Sonevytsky
Publikováno v:
Ethnomusicology. 66:51-80
In the Soviet Union, logics of evolutionism undergirded the Communist party-state's interventions into many aspects of Soviet life, including the realm of “folk music.” In this article, I draw on the example of the Soviet institutionalization of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2373c7e16d3969edd04434311c29667f
https://doi.org/10.5406/21567417.66.1.05
https://doi.org/10.5406/21567417.66.1.05
Autor:
Michael Brown, Ben Green, Dianne Rodger, Peter Beilharz, Darren Jorgensen, John Encarnacao, Henry Johnson, Matthew Bannister, Jon Stratton, Ian Chapman, Adrian Renzo, Lachlan Goold, Chris Gibson, Graeme Turner, Nicholas Tochka, Lila Ellen Gray, Maria Sonevytsky, Aram Yardumian, Jacopo Tomatis, David Looseley, Fernán del Val, Lutgard Mutsaers, Ewa Mazierska, Richard Elliott, Anna Szemere, Henrik Marstal, Sean Nye, Philip V. Bohlman, Carol Silverman, Ross Hagen, Frederick J. Moehn, Charles A. Perrone, Daniel B. Sharp, Derek Pardue, Jonathon Grasse, Mila Burns, Marc A. Hertzman, Brian McCann, Allen Thayer, Barbara Browning, Shelley Brunt, Toshiyuki Ohwada, Lasse Lehtonen, Brooke McCorkle, Kunio Hara, Martin Roberts, Patrick Michel, Rose Bridges, Patrick W. Galbraith, Keisuke Yamada, Jason G. Karlin, András Rónai, Mariusz Gradowski, Héctor Fouce, Lauren Istvandity, Liz Giuffre, Ian Rogers
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d068426a16fd8f2fa763cabff770418
https://doi.org/10.5040/9781501363153
https://doi.org/10.5040/9781501363153
Autor:
Aram Yardumian, David Looseley, Maria Sonevytsky, Nicholas Tochka, Lilla Ellen Gray, Ewa Mazierska, Jacopo Tomatis, Lutgard Mutsaers, Fernán del Val, Richard Elliott, Henrik Marstal, Sean Nye, Philip V. Bohlman, Carol Silverman, Ross Hagen, Charles A. Perrone, Frederick J. Moehn, Daniel B. Sharp, Derek Pardue, Jonathon Grasse, Mila Burns, Marc A. Hertzman, Brian McCann, Allen Thayer, Barbara Browning, Shelley Brunt, Toshiyuki Ohwada, Lasse Lehtonen, Henry Johnson, Brooke McCorkle, Kunio Hara, Martin Roberts, Patrick St. Michel, Rose Bridges, Keisuke Yamada, Anna Szemere, András Rónai, Héctor Fouce, Mariusz Gradowski
For decades, the state-run music industry in Hungary has artificially isolated musical worlds. The 2010 album I’ll Be Your Plaything is a concept album comprising at times drastically re-imagined cover versions of Hungary’s most popular hits from
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d5147d02b477d89e3cf1c5d130b81e7a
https://doi.org/10.5040/9781501354465
https://doi.org/10.5040/9781501354465
Autor:
Maria Sonevytsky
Publikováno v:
Public Culture. 31:93-116
Author(s): Sonevytsky, M | Abstract: This article investigates how sovereignty works in practice by attending to the aural public sphere of Crimea, as "Eastern music" is produced and circulated by the Crimean Tatar radio and as it penetrates the publ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e12dc8bcf5c651a1089a27f18c711d4
https://doi.org/10.1215/08992363-7181853
https://doi.org/10.1215/08992363-7181853
Autor:
Maria Sonevytsky
Rock'n'roll may not have toppled the USSR, but it definitely rumbled through its foundations. Unlike the often-saccharine pop music sanctioned by the Soviet state, Ukrainian punk musicians of the 1980s Kyiv underground adapted ideologies of rock to r
Autor:
Maria Sonevytsky
Publikováno v:
Music and Politics, vol 13, iss 1
Sonevytsky, Maria. (2019). Women’s March Colloquy-Listening for Dissensus. Music and Politics, 13(1). doi: 10.3998/mp.9460447.0013.102. UC Berkeley: Retrieved from: http://www.escholarship.org/uc/item/13k012rq
Sonevytsky, Maria. (2019). Women’s March Colloquy-Listening for Dissensus. Music and Politics, 13(1). doi: 10.3998/mp.9460447.0013.102. UC Berkeley: Retrieved from: http://www.escholarship.org/uc/item/13k012rq
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3cb1424fa55d2a71633cb568e6da06e9
https://escholarship.org/uc/item/13k012rq
https://escholarship.org/uc/item/13k012rq
Autor:
Maria Sonevytsky
Publikováno v:
Hearing the Crimean War
Sonevytsky’s chapter considers the noteworthy lack of historical sources pertaining to Crimean Tatar experiences of the War. It attempts, through analysis of what remains in sonic form, to recover experiences that have largely disappeared from cult
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::06bef8df755a83b922355be4b6f67f82
https://doi.org/10.1093/oso/9780190916749.003.0004
https://doi.org/10.1093/oso/9780190916749.003.0004
Autor:
Maria Sonevytsky
Publikováno v:
Journal of Popular Music Studies. 28:291-314
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a458e0bd15fd9bd96ead8fc028169548
https://doi.org/10.1111/jpms.12174
https://doi.org/10.1111/jpms.12174
Autor:
Maria Sonevytsky
Publikováno v:
Bloomsbury Encyclopedia of Popular Music of the World.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2fa1d2a15692adba0f9f47bdf7d4ac69
https://doi.org/10.5040/9781501326110-0155
https://doi.org/10.5040/9781501326110-0155