Zobrazeno 1 - 10
of 146
pro vyhledávání: '"Maria Shevtsova"'
Autor:
Maria Shevtsova
Publikováno v:
Mimesis Journal, Vol 7, Iss 1, Pp 5-23 (2018)
What political theatre may be in contemporary times and in what sense it is ‘political’ are the core issues of this article. Maria Shevtsova discusses examples from within a restricted period, 2007 to 2014, but from a wide area that begins in Eas
Externí odkaz:
https://doaj.org/article/49e9ecb96baa476aad5c055ba252e740
Publikováno v:
Cena, Iss 29 (2019)
Na primeira parte do capítulo Métodos, elementos e princípios, nomeada Método de Workshop, Maria Shevtsova apresenta o método de criação desenvolvido por Robert Wilson, particularmente a partir da utilização dos livros visuais. A partir de e
Externí odkaz:
https://doaj.org/article/72d282eafdac4c0e83c3f7c5cf56fd00
Publikováno v:
Actuators, Vol 8, Iss 3, p 64 (2019)
The paper aims to develop improved acoustic-based structural health monitoring (SHM) and nondestructive evaluation (NDE) techniques, which provide the waves directivity emitted by the angle beam wedge actuators in thin-walled structures made of plast
Externí odkaz:
https://doaj.org/article/c2c9a273991649678e336e4c2646afb8
Autor:
Maria Shevtsova
Publikováno v:
Critical Stages, Iss 9 (2014)
This account concerns the third performance of The Seagull directed by Oskaras Korsunovas with the OKT/Vilnius City Theatre as part of the 2013 Sirenos Festival held annually in Vilnius. The fact that, to date, Korsunovas has not announced the produc
Externí odkaz:
https://doaj.org/article/a01afdc462634178a9854c426ae81784
Autor:
Maria Shevtsova
Publikováno v:
Critical Stages, Iss 7 (2012)
Externí odkaz:
https://doaj.org/article/dd5015c11e2c40a591692157cd1ed537
Autor:
Maria Shevtsova
Publikováno v:
Critical Stages, Iss 5 (2011)
Externí odkaz:
https://doaj.org/article/25c05524cdf04c53a2fc735cd54c0478
Autor:
Christopher Innes, Maria Shevtsova
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors
Autor:
Maria Shevtsova
Publikováno v:
Stanislavski Studies. 11:3-17
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f79ed705b85c18defc312f0379c3c270
https://doi.org/10.1080/20567790.2023.2196294
https://doi.org/10.1080/20567790.2023.2196294
Autor:
Shomit Mitter, Maria Shevtsova
Fifty Key Theatre Directors covers the work of practitioners who have shaped and pushed back the boundaries of theatre and performance. The authors provide clear and insightful overviews of the approaches and impact of fifty of the most influential d
Autor:
Robert Wilson, Maria Shevtsova
Publikováno v:
New Theatre Quarterly. 38:1-26
World-renowned for having made a totally new kind of theatre, director-designer Robert Wilson first astonished international audiences in Paris in 1971 with Le Regard du sourd (Deafman Glance) and then with his twenty-four-hour Ouverture at the first
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::371ae908e350f3f44ecf8563ef38e137
https://doi.org/10.1017/s0266464x21000385
https://doi.org/10.1017/s0266464x21000385