Výsledky vyhledávání - "Maria Giuseppina Di Monte"

Richard Bösel, Maria Giuseppina Di Monte, Michele Di Monte, Sybille Ebert-Schifferer (a cura di), L’arte e i linguaggi della percezione. L’eredità di Sir Ernst H. Gombrich

Autor: Sorce, Francesco

Esito di un convegno tenutosi a Roma nel 2003, i saggi raccolti in L’arte e i linguaggi della percezione offrono una variegata panoramica delle posizioni maturate nel dibattito intorno al programma epistemico di Ernst H. Gombrich, prendendo in esam

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=openedition_::6b25c64dc6b5de6b840cb17d2cdd324e
http://journals.openedition.org/estetica/6449

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Vertical-flow paper sensor for on-site and prompt evaluation of chloride contamination in concrete structures

Autor: Maria Giuseppina di Monte, Sara Tazzioli, Kersti Hermansson, Alessandro Sassolini, Lorenzo Agosta, Noemi Colozza, Fabiana Arduini

Corrosion occurring in reinforced concrete has turned into a primary concern of the current century, concrete being the most ubiquitous and predominant material used in the construction industry. Among the many interrelated processes that trigger cor

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6284327bcca45328ccafb7bec752e566
https://hdl.handle.net/2108/309716

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Akademický článek

Il paesaggio dentro il museo

Autor: Maria Giuseppina Di Monte

Publikováno v: Lebenswelt: Aesthetics and Philosophy of Experience, Vol 0, Iss 4 (2014)

At the end of the nineteenth century the conception of the museum begins to change, and during the twentieth century it becomes a place not exclusively devoted to conservation. In the last few years, museums invested a lot in the atmospheric componen

Externí odkaz: https://doaj.org/article/38147036a9934fafbe1ba0085cfaf0f2

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Elektronická kniha

Gesicht und Identität / Face and Identity

Autor: Orlando Budelacci, Gottfried Boehm, Michael Renner, Maria Giuseppina Di Monte

Ein »Gesicht haben« gilt als Voraussetzung dafür, angeschaut zu werden. In der Bildergesellschaft begegnen wir Gesichtern überall: in der Politik, der Wirtschaft, der Werbung und in Kunst und Natur. Zugleich sind das Gesicht und sein Bild so alt

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