Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Margaret Nayler"'
Autor:
Zierler, Kenneth
Publikováno v:
Bulletin of the History of Medicine, 2001 Oct 01. 75(3), 572-573.
Externí odkaz:
https://www.jstor.org/stable/44445677
Autor:
John Forrester
Publikováno v:
Medical History. 45:429-429
Mobility inside and outside the home, and in the community, is important to independence of lifestyle after stroke. Existing measures lack content validity relating to these three environments. The aim of this study was to contribute to the content v
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::63815768d95a61c8fdfc18f08cd678f9
Autor:
Margaret Nayler
Publikováno v:
Medical History. 39:387-388
Publikováno v:
Transactions of the American Philosophical Society. 90:1
Autor:
Gwen Jull, Joan McMeeken, Prue Galley, Anthony Wright, Lucy Chipchase, Kathryn M. Refshauge, Margaret Nayler
Publikováno v:
Australian Journal of Physiotherapy. (1):3-7
The authors provide a brief overview of the major landmarks in physiotherapy education and celebrate some of the visionary physiotherapy leaders who have made a significant contribution to physiotherapy education in Australia. (non-author abstract)
Autor:
Ohad Nachtomy, Justin E. H. Smith
The present volume advances a recent historiographical turn towards the intersection of early modern philosophy and the life sciences by bringing together many of its leading scholars to present the contributions of important but often neglected figu
Autor:
Peter Pesic
The unfolding influence of music and sound on the fundamental structure of the biomedical sciences, from ancient times to the present.Beginning in ancient Greece, Peter Pesic writes, music and sound significantly affected the development of the biome
Autor:
Patrick Leclercq
Cet ouvrage explore l'histoire du toucher thérapeutique dans ses rapports au savoir-faire, au savoir expérimental et au savoir-être. Il s'intéresse à l'histoire des connaissances de la main et au développement des pédagogies sur le sensoriel,
Autor:
Matthew C. Hunter
In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures reve