Zobrazeno 1 - 10
of 159
pro vyhledávání: '"Margaret J. Kartomi"'
Autor:
Margaret J. Kartomi, Timothy P Barnard
Publikováno v:
Journal of Social Issues in Southeast Asia. 35:552-553
Autor:
Margaret J. Kartomi
Publikováno v:
Ethnomusicology. 61:87-114
For centuries the Islanders in remote Bunguran played pestle-and-mortar music with cosmological associations to lighten the chore of stamping husks off rice grain. Different villages developed their own musical syntax, terminology, and repertoire to
Autor:
Margaret J. Kartomi
Publikováno v:
International Journal of Creative and Arts Studies. 2:98-100
Autor:
Margaret J. Kartomi
Publikováno v:
Musicology Australia. 36:189-208
A music performance may be defined as the live presentation of a music event by musicians and other participants or stakeholders at a given time and place, usually in the presence of an audience. The concept of music performativity, on the other hand
Autor:
Margaret J. Kartomi
Publikováno v:
Yearbook for Traditional Music. 45:97-124
The saman song-dance of the Aceh Gayo Lues people, who inhabit the central mountainous areas of the province of Aceh, is one of the most dramatic and famous of Indonesia’s performing arts and a key symbol of Gayo cultural identity, yet it has not t
Autor:
Margaret J. Kartomi
Publikováno v:
Musicology Australia. 33:47-68
Pencak silat (‘the art of self defence’) is a contemporary umbrella term used in Indonesia and Malaysia and other parts of Southeast Asia to designate the hundreds of traditional and modern martial art genres that are performed either solo or as
Autor:
Margaret J. Kartomi
Publikováno v:
Ethnomusicology. 54:452-483
Autor:
Margaret J. Kartomi
Publikováno v:
Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia. 166:83-106
The development of the Acehnese sitting song-dances and frame-drum genres as part of religious conversion and continuing piety This article aims to connect two important genres of Aceh
Autor:
Margaret J. Kartomi, Stephen Blum
Contact between cultures may also lead to rejection as well as suppression of certain types of music. This process leads to such unfavorable circumstances as abandonment of entire works, genres or concepts or loss of instruments; yet such conflicts m