Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Mareli Stolp"'
Autor:
Mareli Stolp
Publikováno v:
Acta Academica, Vol 53, Iss 1 (2021)
This article examines the position of creative practitioners working in South African tertiary education, with specific focus on the scope and impact of the 2017 Policy on the Evaluation of Creative Outputs and Innovations produced by South African P
Externí odkaz:
https://doaj.org/article/9bc05b0504044e5fade4e1c961650ee1
Autor:
Mareli Stolp
Publikováno v:
Acta Academica, Vol 48, Iss 1 (2016)
This article discusses a case study to explore notions of academic freedom and freedom of speech in the post-apartheid South African university. The focus is on the ‘managerial turn’ in university management and in particular its utilisation of e
Externí odkaz:
https://doaj.org/article/46c04b8e6cb34fbeb38bf91049d4b988
Autor:
Mareli Stolp
Publikováno v:
Journal of the Musical Arts in Africa. :1-17
Autor:
Mareli Stolp
Publikováno v:
Journal for Artistic Research.
Autor:
Mareli Stolp, Christo Doherty
Publikováno v:
Journal for Artistic Research.
Autor:
Mareli Stolp
Publikováno v:
ANKLAENGE 2018
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::49e239da3121d36b2307770a688b5ff8
https://doi.org/10.2307/j.ctvwh8cps.23
https://doi.org/10.2307/j.ctvwh8cps.23
Autor:
Mareli Stolp
Publikováno v:
Journal of the Royal Musical Association. 143:211-232
This article explores the content, scope and impact of an annual contemporary music festival in South Africa, the first of which was presented in 2000 by New Music South Africa (NMSA), the South African chapter of the International Society for Contem
Autor:
Mareli Stolp
Publikováno v:
African Music : Journal of the International Library of African Music. 10:201-203
Autor:
Mareli Stolp
Publikováno v:
South African Theatre Journal. 29:15-32
The ‘performer-creator’ approach to the creation of dance and movement theatre presumes that messages, content and meaning become inscribed in movement through processes of experimentation, improvisation, discussion and play: the performers, guid
Autor:
Mareli Stolp
Publikováno v:
de arte. 51:74-88
In this article, I examine a performance project I conducted in 2014 at the ‘Infecting the City’ festival in Cape Town: I performed on a piano, situated outdoors in Cape Town’s inner city; the audience observed from the street and from a nearby