Uma poética do cinema silencioso

Autor: Marcondes, Ciro Inácio

Publikováno v: Repositório Institucional da UnBUniversidade de BrasíliaUNB.

Tese (doutorado)—Universidade de Brasília, Faculdade de Comunicação, Programa de pós-graduação em Comunicação, 2016.
Submitted by Fernanda Percia França (fernandafranca@bce.unb.br) on 2017-02-01T15:46:04Z No. of bitstreams: 1 2016_Cir

Externí odkaz: http://repositorio.unb.br/handle/10482/22384

Paul Leni’s Waxworks: Writing Images from Silence, through Media and Philosophy

Autor: Marcondes Ciro Inácio

Publikováno v: Acta Universitatis Sapientiae: Film and Media Studies, Vol 13, Iss 1, Pp 55-72 (2016)

The so-called German Weimar Cinema encompasses a profusion of films that used frame narratives. In the case of Paul Leni’s Waxworks (Das Wachsfigurenkabinett, 1924), as the framing stems from a literary act (the stories are framed by the act of nar

Externí odkaz: https://doaj.org/article/7d76b16994e442688678ec9741b98cd3

Gesto, rostro y muerte en la Juana de Arco de Dreyer

Autor: Marcondes, Ciro Inácio, Castanheira, Rafael

Publikováno v: Revista FAMECOS; Vol. 29 No. 1 (2022): Single Volume-Continuous Publication; e40575
Revista FAMECOS; Vol. 29 Núm. 1 (2022): Volumen único-Publicación continua; e40575
Revista FAMECOS; v. 29 n. 1 (2022): Volume Único-Publicação Contínua; e40575
Revista FAMECOS: Mídia cultura e tecnologia
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS

This work presents an analysis of Carl Dreyer’s The Passion of Joan of Arc, from three vertices that make up a silent cinema axiology. In the first place, the gesture, which contests with the image the privilege of founding the silent expression. S

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::834aef5de368a7f439855fd30a8aec7e
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/40575

Poesia e violência no berço da linguagem silenciosa: o caso de Chaplin

Autor: Marcondes, Ciro Inácio

Publikováno v: Intexto; n. 48, jan./abr. Dossiê Teoria de Cineastas; 304-324
Intexto (Porto Alegre)
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS

The career of Charles Chaplin, especially in his phase at Keystone, has a foundation in two forms of violence: the first, the physical violence of the thrusts and punches that his character Charlie throws at his antagonists; And the second, the motor

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::9a912b95056089ed18bb51767a3a3d0f
https://seer.ufrgs.br/intexto/article/view/92285

O imaginário da maternidade em Frida Kahlo

Autor: Marcondes, Ciro Inácio, de Moraes, Vanessa Daniele

Publikováno v: Intexto; n. 40, set./dez. 2017; 114-132
Intexto (Porto Alegre)
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS

The imaginary of pain and motherhood in Frida Kahlo raises a reflection on the balance between the images present in consciousness as opposed to the dream field. In this sense, how to think the surrealism that many critics insist on labeling Frida's

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::8aae2db25706831fa449401f507a96aa
https://seer.ufrgs.br/index.php/intexto/article/view/72234