Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Marco Liuni"'
Publikováno v:
PLoS ONE, Vol 14, Iss 4, p e0205943 (2019)
Over the past few years, the field of visual social cognition and face processing has been dramatically impacted by a series of data-driven studies employing computer-graphics tools to synthesize arbitrary meaningful facial expressions. In the audito
Externí odkaz:
https://doaj.org/article/28ea022f79934b9c8ee63a4a05452cbc
Autor:
Estelle, Pruvost-Robieux, Nathalie, André-Obadia, Angela, Marchi, Tarek, Sharshar, Marco, Liuni, Martine, Gavaret, Jean-Julien, Aucouturier
Publikováno v:
Clinical Neurophysiology
Clinical Neurophysiology, 2022, 135, pp.154-161. ⟨10.1016/j.clinph.2021.12.015⟩
Clinical Neurophysiology, 2022, 135, pp.154-161. ⟨10.1016/j.clinph.2021.12.015⟩
International audience; ObjectiveThe acoustic characteristics of stimuli influence the characteristics of the corresponding evoked potentials in healthy subjects. Own-name stimuli are used in clinical practice to assess the level of consciousness in
Autor:
Estelle Pruvost-Robieux, Nathalie André-Obadia, Angela Marchi, Tarek Sharshar, Marco Liuni, Martine Gavaret, Jean-Julien Aucouturier
Publikováno v:
Clinical Neurophysiology. 150:e79
Autor:
Laura Rachman, Pablo Arias, D. Bedoya, Marco Liuni, Jean-Julien Aucouturier, Louise Goupil, Clément Canonne
Publikováno v:
Philosophical Transactions of the Royal Society B: Biological Sciences
A wealth of theoretical and empirical arguments have suggested that music triggers emotional responses by resembling the inflections of expressive vocalizations, but have done so using low-level acoustic parameters (pitch, loudness, speed) that, in f
Publikováno v:
Music Perception. 37:95-110
Traditional neurobiological theories of musical emotions explain well why extreme music such as punk, hardcore or metal, whose vocal and instrumental characteristics share much similarity with acoustic threat signals, should evoke unpleasant feelings
Publikováno v:
Emotion Review
Emotion Review, 2020, ⟨10.1177/1754073920934544⟩
Emotion Review, 2020, ⟨10.1177/1754073920934544⟩
While acoustic analysis methods have become a commodity in voice emotion research, experiments that attempt not only to describe but to computationally manipulate expressive cues in emotional voice and speech have remained relatively rare. We give he
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ea96fae7d7fd2f9fa2a8e1f63b8a2b96
https://hal.archives-ouvertes.fr/hal-02907502
https://hal.archives-ouvertes.fr/hal-02907502
Publikováno v:
Behavioural Processes
Behavioural Processes, Elsevier, 2020, ⟨10.1016/j.beproc.2020.104042⟩
Behavioural Processes, Elsevier, 2020, ⟨10.1016/j.beproc.2020.104042⟩
Many animal vocalizations contain nonlinear acoustic phenomena as a consequence of physiological arousal. In humans, nonlinear features are processed early in the auditory system, and are used to efficiently detect alarm calls and other urgent signal
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9ad0e43697e3f9d6d960e1a2c3a5f301
Publikováno v:
Computer Music Journal
Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press), 2019
Computer Music Journal, Massachusetts Institute of Technology Press (MIT Press), 2019
This article presents the results of collaboration between a composer and researchers in the context of vocal roughness and composing for voice. Our research focused on parametric control of distortion. Specifically, we present a software device that
Autor:
Andrea Vaglio, Gilles Guerrier, Christophe Baillard, Laurent Lellouch, Pierre-Raphaël Rothschild, Jean-Julien Aucouturier, Marco Liuni
Publikováno v:
British Journal of Anaesthesia. 123:e486-e488
Introduction Recent European guidelines in anaesthesia recommend systematic pre-operative anxiety management to prevent its negative peri-operative impact, 1 including impaired memorization of important instructions, and higher incidence of post-oper
Publikováno v:
Music Perception
Music Perception, University of California Press, In press, ⟨10.1101/510008⟩
Music Perception, University of California Press, In press, ⟨10.1101/510008⟩
Traditional neurobiological theories of musical emotions explain well why extreme music such as punk, hardcore or metal, whose vocal and instrumental characteristics share much similarity with acoustic threat signals, should evoke unpleasant feelings
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::07a19012c483cc29b3fb98eaef5d679d